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Act Without Words I

Written by

Samuel Beckett

~playauthor~Written by~ Samuel Beckett

Faber and Faber, 2009

Faber Drama

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Summary
...A mime for one player, Act Without Words I was written in French in 1956, as Acte sans paroles I, with music by John Beckett, the author’s cousin...

Breath

Written by

Samuel Beckett

~playauthor~Written by~ Samuel Beckett

Faber and Faber, 2009

Faber Drama

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Summary
...Breath was written in English some time before it was sent to New York, in 1969, in response to Kenneth Tynan’s request for a contribution to his review Oh! Calcutta...

A Doll House

Henrik Ibsen

,

Rolf Fjelde

and

LA Theatre Works

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...Nora Helmer has everything a young housewife could want: beautiful children, an adoring husband, and a bright future. But when a carelessly buried secret rises from the past, Nora’s well-calibrated domestic ideal starts to crumble. Ibsen...

Coda:From Dhaka to Mabou Mines

Frode Helland

,

Frode Helland is Professor of Scandinavian Literature and Director of the Centre for Ibsen Studies at the University of Oslo, Norway. Author affiliation details are correct at time of print publication.

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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and

Mark Taylor-Batty

Mark Taylor-Batty

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Ibsen in Practice : Relational Readings of Performance, Cultural Encounters and Power

Bloomsbury Methuen Drama, 2015

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...Instead of trying to distil a forced essence or give a synoptic repetition of the previous chapters, I will end this book through a short reflection on two important factors in the practice of Ibsen not sufficiently covered by the preceding...

Introduction

Frode Helland

,

Frode Helland is Professor of Scandinavian Literature and Director of the Centre for Ibsen Studies at the University of Oslo, Norway. Author affiliation details are correct at time of print publication.

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications
and

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications

Ibsen in Practice : Relational Readings of Performance, Cultural Encounters and Power

Bloomsbury Methuen Drama, 2015

Books

...This book has been long in the making. I started collecting material for it in 2006, and it has been a great privilege to be able to see Ibsen performed on all continents during these years. The point of departure lies in quite a naïve wish...

Act Without Words II

Written by

Samuel Beckett

~playauthor~Written by~ Samuel Beckett

Faber and Faber, 2009

Faber Drama

Playtext

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Summary
...A mime for two players, Act Without Words II was written in French, as Acte sans paroles II, at about the same time as Act Without Words I (1956). It was probably first performed probably at the Institute of Contemporary Arts, London, on 25...

Lillian Hellman (1905–1984)

Anne Fletcher

Anne Fletcher

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Visions of Tragedy in Modern American Drama : From O’Neill to the Twenty-First Century

Bloomsbury Methuen Drama, 2018

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...“If you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the beginning. But if you believe that man can solve his own problems and is at nobody’s mercy, then you...

Pointing at Sharp Ends – an Introduction

Peter Billingham

Dr Peter Billingham is Reader in Drama and Performance at the University of Portsmouth. Author affiliation details are correct at time of print publication.

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At the Sharp End : Uncovering the Work of Five Contemporary Dramatists

Bloomsbury Methuen Drama, 2007

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...Sharp ends hurt. Handle with care! Sharp ends aren’t polite. The sharp end is the shouting end. Not the ‘Sorry I’ll go away and come back’ end. Being at the sharp end is being where the action is. Getting involved. Making a point. Something...

Adrienne Kennedy: A Kindred Spirit to the Beats

Nita N. Kumar

Nita N. Kumar

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Beat Drama : Playwrights and Performances of the ‘Howl’ Generation

Bloomsbury Methuen Drama, 2016

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...Two references to the Beat writers in Adrienne Kennedy’s work appear mystifying as well as suggestive and seem like a good starting point for an exploration of the presence of Beat elements, world view, and aesthetics in Kennedy’s writings:...

Against Capitalist Realism: Thomas Ostermeier

Frode Helland

,

Frode Helland is Professor of Scandinavian Literature and Director of the Centre for Ibsen Studies at the University of Oslo, Norway. Author affiliation details are correct at time of print publication.

Search for publications

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications
and

Mark Taylor-Batty

Mark Taylor-Batty

Search for publications

Ibsen in Practice : Relational Readings of Performance, Cultural Encounters and Power

Bloomsbury Methuen Drama, 2015

Books

...Thomas Ostermeier, ‘Ob es so oder so oder anders geht! Ein Gespräch mit den (zukünftigen) Theaterleitern Stefan Bachmann, Mathias Hartmann und Thomas Ostermeier’, Theaterheute. Jahrbuch 1999 (Hannover: Friedrich Verlag, 1999), p. 76...