Ivan Varlet is making a class change. As he prepares to marry his bourgeois bride, the former mechanic casts off his socialist acquaintances and re-invents himself as ‘Ivor Violet’. Before he can embark on his new life, however, a fire at the wedding kills all the guests, and sees Ivan trapped in the ice cellar, frozen into a state of cryogenesis. Fifty years later, after the creation of a global socialist state following a world war, Ivan is unfrozen into an unrecognizable Russia. He swears, drinks, smokes and feels in a state that eschews pleasure and emotion. He causes women to lose their senses at the plucking of his guitar, and hospitalises men with his introduction of beer. Before this ‘early mammal’ can cause more social unrest, he is brought to the civic zoo and displayed as a specimen of society’s primitive past, where school children can feed him with cigarettes and alcohol.
A satire on the distrust of authority and the threat of the independent voice to the socialist system, Vladimir Mayakovsky’s 1929 original was written at a time of growing disillusion with the Soviet Union. The Bedbug, adapted by Snoo Wilson, was commissioned by the National Theatre as one of six new plays, adaptations or translations for the 1995 BT National Connections, a collection of contemporary plays for young people.