Oliver Goldsmith

Plays by Oliver Goldsmith

She Stoops to Conquer

Bloomsbury Publishing
Type: Text

Populated by a sweep of brilliant comic characters, She Stoops to Conquer is a spirited comedy of mischief and misunderstanding, as the gallant Marlow mistakes his intended well-born bride for a barmaid.

Young Marlow is petrified in the presence of women of his own class, but rampantly flirtatious with the serving classes. To his alarm, he has been sent, accompanied by his friend Hastings who has his own agenda, to meet the bride his father has chosen for him: the daughter of a respected gentleman, Mr Hardcastle. They have got lost in the dark country roads, and unfortunately – or perhaps fortunately – the mischievous Tony Lumpkin convinces them that the old country house is an inn, Mr Hardcastle its eccentric innkeeper, and Kate Hardcastle its barmaid.

Kate, enjoying as a consequence Marlow’s palpable ardour, chooses not to undeceive him, until a delightful flurry of trifling confusions and eavesdroppings have made way for a pleasingly neat happy ending.

Goldsmith’s play was first performed in 1773 at the Covent Garden theatre, London, and its well-meaning comic exuberance has made it a favourite on the stage from Goldsmith’s day to ours.

audio She Stoops to Conquer

LA Theatre Works
Type: Audio

In this classic comedy of manners, two young men set out to woo the alluring and upper-crust Kate and Constance. But is anybody in this rural estate ruly who they seem? Bawdy hijinks and popped pretensions are the hallmarks of this romping frolic that’s kept audiences laughing for over two centuries.

An L.A. Theatre Works full-cast performance featuring: Rosalind Ayres as Mrs. Hardcastle Adam Godley as Tony Lumpkin Julian Holloway as Elder Marlow and Stingo James Marsters as Charles Marlow Christopher Neame as Roger Paula Jane Newman as Bet Bouncer and Pimple Ian Ogilvy as Mr. Hardcastle Moira Quirk as Constance Neville Darren Richardson as Diggory and Jeremy Joanne Whalley as Kate Hardcastle Matthew Wolf as George Hastings Directed by Martin Jarvis. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

Featuring: Rosalind Ayres, Adam Godley, Julian Holloway, James Marsters, Christopher Neame, Paula Jane Newman, Ian Ogilvy, Moira Quirk, Darren Richardson, Joanne Whalley, Matthew Wolf

video She Stoops to Conquer (NT)

National Theatre
Type: Video

Age recommendation: 12+

This production was recorded through National Theatre Live on 29th March, 2012.

Hardcastle, a man of substance, looks forward to acquainting his daughter with his old pal's son, with a view to marriage. But thanks to playboy Lumpkin, he's mistaken by his prospective son-in-law Marlowe for an innkeeper, and his daughter for a local barmaid.

But while Marlowe can barely speak to a woman of quality, he's a charmer with those of a different stamp. And so, as Hardcastle's indignation intensifies, Miss Hardcastle's appreciation for her misguided suitor soars. Misdemeanours multiply, love blossoms, and mayhem ensues.

One of the great, generous-hearted and ingenious comedies of the English language, Goldsmith's She Stoops to Conquer offers a celebration of chaos, courtship and the dysfunctional family.

CAST
Bet Bouncer: Amy Booth-Steel
Bridget: Sarah Moyle
Constance Neville: Cush Jumbo
Dick Muggins: Stavros Demetraki
Diggory: Oliver Jackson
Douglas: Matthew Seadon-Young
Hastings: John Heffernan
Jack Slang: Russel Wilcox
Jeremy: Matthew Seadon-Young
Kate Hardcastle:Katherine Kelly
Landlord: Gavin Spokes
Mark: Stavros Demetraki
Marlow: Harry Hadden-Paton
Mr Hardcastle: Steve Pemberton
Mrs Hardcastle: Sophie Thompson
Paul: Russel Wilcox
Phyllis: Zoe Rainey
Pimple: Amy Booth-Steel
Roger: Jonathan Glew
Sir Charles Marlow: Timothy Speyer
Thomas: Terry Doe
Tony Lumpkin: David Fynn
William: Gavin Spokes

CREATIVES
Director: Jamie Lloyd
Designer: Mark Thompson
Lighting Designer: Neil Austin
Music Director: David Shrubsole
Movement Director: Ann Yee
Staff Director: Sam Yates
Production Manager: Jim Leaver
Stage Manager: Shane Tom
Assistant Stage Manager: Ella May McDermott
Assistant Stage Manager: Amy Griffin
Costume Supervisor: Yvonne Milnes
Props Buyer (NT): Kirsten Shiell
Deputy Production Manager: Marius Ronning
Assistant to the Designer: Ben Davies
Assistant to the Designer: Jason Southgate
Assistant to the Designer: Alistair Turner
Assistant to the Designer: Elizabeth Brett
Etiquette Consultant: Sue Lefton
Period Dance Consultant: Darren Royston
Dance Captain: Zoe Rainey
Dance Captain: Russel Wilcox
Social Historian: Daru Rooke
Theatre Historian: Michael Caines
Text Consultant: Tiffany Stern
Casting: Charlotte Sutton
Production Photographer: Johan Persson
Casting: Alastair Coomer
Dialect Coach: Kate Godfrey
Assistant to the Lighting Designer: Daniel / Dan Haggerty
Deputy Stage Manager: Ian Farmery
Company Voice Work: Jeanette Nelson
Sound and Music: Max Ringham
Sound and Music: Ben Ringham
Associate Sound Designer: Matt / Matthew Berry

Picture of Oliver Goldsmith

Oliver Goldsmith (1730-74) was an Irish poet, playwright, novelist, and journalist, whose two plays have outlived the efforts of all his contemporaries except Sheridan. Dr Johnson described him as 'a very great man', while Goethe would later write, 'To Shakespeare, Sterne, and Goldsmith my debt has been limitless'.

Goldsmith's youth gave little promise of his future achievements. After attending Trinity College, Dublin, he abandoned plans to be ordained. He thought of emigrating to America but missed his ship. He then briefly studied medicine before travelling through Europe, partially supporting himself by busking. On his return, he earned a meagre living by translating and reviewing; it was in this period that he emerged as an essayist of talent. Goldsmith's first play, The Good-Natured Man, was turned down by Garrick; the elder Colman subsequently produced it at Covent Garden (1768) though with only mild success.

Goldsmith made his name as a playwright with the comedy She Stoops to Conquer (1773), in which two men mistake a private house for an inn (a mistake the playwright had himself once made). Goldsmith's only novel The Vicar of Wakefield (1766) was successfully adapted for the stage in 1878 with Ellen Terry in the role of Olivia, a part later played on tour by her sister, Florence Terry.

His Irish impudence and inconsequential style of chat often irritated his London contemporaries. Horace Walpole called him 'an inspired idiot' while Samuel Johnson commented 'No man was more foolish when he had not a pen in his hand, or more wise when he had'.