Plays by Marina Carr

Ariel

Faber and Faber
Type: Text

Fermoy Fitzgerald, a Irish midlands politician, haunted by the ghosts of the past and enthralled by dreams of the future, will sacrifice everything in pursuit of power – even the lives of his wife and family. On the day of his daughter Ariel's sixteenth birthday, he makes a terrifying bargain with God

Ariel was first performed at the Abbey Theatre, Dublin, in October 2002.

By the Bog of Cats

Faber and Faber
Type: Text

Set in the mysterious landscape of the bogs of rural Ireland, Carr's lyrical and timeless play tells the story of Hester Swane, an Irish traveller with a deep and unearthly connection to her land. Tormented by the memory of a mother who deserted her, Hester is once again betrayed, this time by the father of her child, the man she loves. On the brink of despair, she embarks on a terrible journey of vengeance as the secrets of her tangled history are revealed.

By the Bog of Cats premiered at the Abbey Theatre, Dublin, in 1998. It was revived at Wyndham's Theatre, London, in November 2004.

The Cordelia Dream

Faber and Faber
Type: Text

Haunted by her dream of Cordelia and Lear, a woman confronts an elderly man, her lifelong antagonist and rival. During their passionate altercation he dismisses her success as a composer and demands she make the ultimate sacrifice: for him to flourish she, his protégée, must be silent.

Five years later, she returns for a final and devastating encounter.

Marina Carr's The Cordelia Dream premiered in December 2008 at Wilton's Music Hall, London, in a production by the Royal Shakespeare Company.

Hecuba  

Faber and Faber
Type: Text

Hecuba was written in reaction to the bad press this Trojan queen receives, and reimagines how she may have suffered and reacted.

The play was premiered by the Royal Shakespeare Company at the Swan Theatre, Stratford-upon-Avon, in September 2015.

Indigo  

Faber and Faber
Type: Text

Indigo is a dark and passionate romance amongst fairies, demons, ghouls and every sort of fantastic creature out of folklore and myth.

The Map of Argentina  

Faber and Faber
Type: Text

The Map of Argentina offers a meditation on love and what happens when it is denied, or pursued and hunted down.

Marble

Faber and Faber
Type: Text

A premonition of impending disaster precedes a collision between the conscious and subconscious lives of two married couples. Hidden fantasies and passions conflict with the calls of friendship and fidelity. The characters' everyday existences and their struggles to accept mortality provide the backdrop to Marble's exploration of the tragedy of dying of an empty heart.

Marble was first performed at the Abbey Theatre, Dublin, on 10 February 2009.

On Raftery's Hill

Faber and Faber
Type: Text

In Marina Carr's epic tragedy of rural life, three generations of the Rafterys live together in the midlands of Ireland. It's a closely knit farming community where hatred and rumours of incest, stillborn children, and abused families seem more common than love and affection.

On Raftery's Hill was first performed as a Druid Theatre/Royal Court Theatre co-production at the Town Hall Theatre, Galway, in May 2000. It was subsequently performed at the Royal Court, London, in June of the same year.

Phaedra Backwards  

Faber and Faber
Type: Text

Phaedra Backwards retells the Phaedra myth to discover what shaped her.

The play was first performed at the McCarter Theatre Center for the Performing Arts, Princeton, in October 2011.

Sixteen Possible Glimpses  

Faber and Faber
Type: Text

Sixteen Possible Glimpses imagines sixteen fleeting moments in Anton Chekhov’s short life and work.

The play was first performed at the Abbey Theatre, Dublin, in September 2011.

Brought up in County Offaly, Marina Carr graduated form University College Dublin in 1987 with a degree in English and Philosophy. She was Writer-in-Residence at the Abbey and Trinity College Dublin. Her plays include The Cordelia Dream (RSC), Marble (Abbey, Teatro Vascello Rome), 16 Possible Glimpses (Abbey), Phaedra Backwards (Mccarter Princeton), On Raftery's Hill (Royal Court, London), Portia Coughlan (Royal Court and the Abbey Dublin), By the Bog of Cats (Abbey, Dublin and Wyndham's Theatre, London), The Mai (Peacock, Dublin/Abbey, Dublin/Tricycle/McCarter, Princeton), Low In The Dark (Project Arts Centre, Dublin), Ullaloo (Abbey, Dublin Theatre Festival), Ariel (Abbey), and two plays for children, As Meat Is To Salt (Abbey) and The Giant Blue Hand (The Ark). Her stage adaptation of Anna Karenina premiered at the Abbey Theatre, Dublin, in 2016.
Awards include Irish Times Playwright Award 1998, The Susan Smith Blackburn Award for Portia Coughlan, Best New Irish Play at Dublin Theatre Festival 1994, The EM Foster Prize from the American Academy of Arts and Letters and the American/ Ireland Fund Award, The Macaulay Fellowship and The Hennessy Award. She is a member of Aosdána. In 2017, Marina Carr was awarded the prestigious Windham-Campbell Prize.