translated by W. H. Auden and Chester Kallman
Rise and Fall of the City of Mahagonny is an opera chronicling the development and demise of the ‘paradise city’ of Mahagonny in a series of tableaux capturing the baser aspects of human nature.
Three criminals create the city in order to trap money: it is a place of pleasure, where no one works, everyone drinks, gambles, brawls and visits prostitutes, and all that matters is whether you can pay your way. A hurricane passing dangerously close to the city encourages complete lawlessness and debauchery, and soon the raving, delirious city destroys itself.
A pivotal work in the genesis of Brecht’s theory and practise of epic theatre, it is a classic of the twentieth-century avant-garde and represents his first major collaboration with the composer Kurt Weill. It premiered in Leipzig in 1930 where it provoked a major scandal. This version is translated by W. H. Auden and Chester Kallman.