DOI: 10.5040/9781784601645.00000005
Acts: 2. Roles: Male (16) , Female (5) , Neutral (0)

Terence Rattigan's Cause Célèbre is a drama based on the real-life story of Alma Rattenbury, who in 1935 went on trial with her eighteen-year-old lover for the murder of her husband. Rattigan originally wrote the play for radio, broadcast on BBC Radio 4 on 27 October 1975. He later adapted it for the stage, and this version was first performed at Her Majesty’s Theatre, London, on 4 July 1977. It proved to be his final play, and was still playing in the West End at the time of his death on 30 November 1977.

The action of the play takes place in Bournemouth and London in 1934 and 1935. It begins with Alma Rattenbury being charged in court with the murder of her husband, the architect Francis Rattenbury. Francis was in his fifties when he married Alma, a young gifted pianist in her twenties. Their relationship quickly cooled, leaving the door open for Alma to embark on a passionate affair with George, one of the Rattenbury’s employees. When Francis is found dead, the finger is immediately pointed at Alma and the play follows her arrest and the ensuing trial. Rattigan adds an extra dimension by pitting Alma against a female juror, Edith Davenport, whose own life offers a counterpoint to Alma's.

The premiere of the stage version at Her Majesty’s Theatre was directed by Robin Midgley and designed by Adrian Vaux, with Glynis Johns as Alma Rattenbury and Helen Lindsay as Edith Davenport. It received a clutch of positive reviews. Many critics commented on Rattigan’s failing health and exhibited a generosity of spirit towards his writing legacy, his reputation having suffered since the late 1950s.

The play received a major revival as part of the Rattigan Centenary celebrations at The Old Vic, London, from 17 March 2011 in a production directed by Thea Sharrock with Anne-Marie Duff as Alma and Niamh Cusack as Edith.

The play's relationship with the real-life case that inspired it is explored in detail by Dan Rebellato in his introduction to the Nick Hern Books edition of the play (2011). Rebellato also examines the textual differences between the radio and stage versions of the play. His conclusion is that Cause Célèbre is 'a defiant defence of sexual desire, emotional honesty, and a ferocious attack on the moral pieties of middle-class, middle-brow Middle England'.