Plays

audio Absent Forever

LA Theatre Works
Type: Audio

A bright and politically-engaged college student goes missing after a demonstration turns violent. But as her grieving mother begins her search, she uncovers a dark side to her daughter which she never knew existed.

An L.A. Theatre Works full-cast recording, starring: John de Lancie, Kaitlin Hopkins, Shirley Knight, Al Ruscio and Jennifer Warren.

Directed by Peggy Shannon and recorded before a live audience by L.A. Theatre Works.

Featuring: John de Lancie, Kaitlin Hopkins, Shirley Knight, Al Ruscio, Jennifer Warren

audio Abundance

LA Theatre Works
Type: Audio

From the Pulitzer Prize winning author of Crimes of the Heart comes this poignant but unromanticized story of the hard lives of pioneers on the high plains of Wyoming in the 1860's. Macon and Bess are two mail-order brides, lured to the West by the promise of new beginnings through marriage to men they’ve never met. While waiting for their respective husbands-to-be, one bubbling with optimism, the other mousy and plain, the two women become instant best friends. As Abundance follows the two women through their friendship and adventures for the next 25 years, this Western epic unearths the dark underside of American mythology.

An L.A. Theatre Works full-cast performance featuring Ed Begley Jr., Gary Cole, Amy Madigan, Steven Weber and JoBeth Williams.

Featuring: Ed Begley Jr., Gary Cole, Amy Madigan, Steven Weber, JoBeth Williams

audio The Actor Retires

LA Theatre Works
Type: Audio

Steppenwolf Theatre Company playwright and actor Bruce Norris presents a hilarious comedy in which an actor decides to end his career, burn his headshots and resumés, and become a serious furniture maker.

An L.A. Theatre Works full-cast performance featuring Bruce Norris, D.W. Moffett, Lucy Childs, Christopher Donahue, Kevin Hurley, Amy Morton, Susan Nussbaum and William Peterson

Featuring: Lucy Childs, Christopher Donahue, Kevin Hurley, D.W. Moffett, Amy Morton, Bruce Norris, Susan Nussbaum, William Petersen

audio Adam's Rib

LA Theatre Works
Type: Audio

A classic battle of the sexes and a courtroom farce, this peerlessly witty examination of husband and wife attorneys was first crafted for Spencer Tracy and Katharine Hepburn. Commissioned by L.A. Theatre Works, David Rambo includes never-before-heard original material in this adaptation of the Oscar-nominated screenplay by Garson Kanin and Ruth Gordon.

An L.A. Theatre Works full-cast performance featuring Adam Arkin, Anne DeSalvo, Paul Eiding, Mary Pat Gleason, Annabelle Gurwitch, Anne Heche, Marvin Kaplan, Loren Lazerine, Robert Lesser, John Pankow, Amy Pietz.

Featuring: Adam Arkin, Anne DeSalvo, Paul Eiding, Mary Pat Gleason, Annabelle Gurwitch, Anne Heche, Marvin Kaplan, Loren Lazerine, Robert Lesser, John Pankow, Amy Pietz

audio Additional Dialogue: An Evening With Dalton Trumbo

LA Theatre Works
Type: Audio

In 1947, witty, outspoken, irascible Dalton Trumbo - the Academy Award-winning screenwriter of Roman Holiday and Spartacus - went to prison for defying the House Committee on Un-American Activities and became one of the framed Hollywood Ten. Through his wildly funny and thought-provoking correspondence, Trumbo’s son has created a touching portrait of an extraordinary man.

An L.A. Theatre Works full-cast performance featuring Jeff Corey, Harry Groener, Christopher Trumbo and Paul Winfield.

Featuring: Jeff Corey, Harry Groener, Christopher Trumbo, Paul Winfield

After Darwin

Faber and Faber
Type: Text

Millie, a director, discusses with her actors, Ian and Tom, how to interpret two famous historical figures from the nineteenth century. It's 1831. The naturalist Charles Darwin is invited to travel with Robert Fitzroy into uncharted waters off the coast of South America aboard 'The Beagle'. Their five year journey is fraught with philosophical and personal tensions. Fitzroy, a staunch Christian, has faith in the unquestionable authority of the Bible; Darwin begins to explore a more radical vision, his theory of natural selection. A meditation on history and human relationships, After Darwin links past and present through these five characters, and raises timeless questions about faith, friendship and how we interpret the past.

After Darwin was first performed in July 1998, at Hampstead Theatre, London.

After Easter

Faber and Faber
Type: Text

After Easter is not a political play, rather a psychological play – inevitably funny. It is a contemporary portrait of a woman who reaches that point in her life when she will either grow or fade, when she will either continue to live in her lesser personality or make that inner marriage which will allow her to enter the mainstream of her larger existence, and, hopefully, swim.

The exile, Greta, having turned away from everything that once could have been called her identity – including her religion – allows the ghosts to call her home to the north of Ireland and to her family. In doing so she finds herself confronting the identity that she has wilfully excluded for so long.

After Haggerty

Bloomsbury Publishing
Type: Text

Gathering together the political and social concerns of an era, After Haggerty addresses with breadth and complexity the politics of theatre and personal liberation at a time when social certainties were being rapidly destabilised.

Bernard Link, a socialist middle-aged theatre critic, has leased a flat in London from Mr Haggerty without having met him. Claire, who is sharp, brittle and American, storms into the flat expecting to find the father of her child, but finds Bernard instead. He is having the flat done up by a couple of jobbing decorators, including an out-of-work homosexual actor. The unhappy cohabitation of this mixture of people is punctuated by excepts from Bernard’s pan-European lectures on Marxist theatre, cryptic telegrams from Haggerty in Paris, and the off-stage squalling of Claire and Haggerty’s baby, Raskolnikov. Then Bernard’s father visits, his reactionary, bigoted views clashing with what suddenly feels like a household.

After Haggerty was first presented in 1970 at the Aldwych Theatre, London.

An Afternoon at the Festival

Bloomsbury Publishing
Type: Text

An Afternoon at the Festival is an elegantly-structured and reflective meditation on failure.

Leo Brent is an egotistical, successful and middle-aged film-maker. While he is waiting for the four o’clock showing of his new and last film, he spends the morning with a prostitute, Anita: more to find somewhere to sit down than to sleep with her. Back at the house where the film was set, the star — Leo’s ex-wife Dana — is drinking Chablis with his brother, Howard. The play splices these two disconsolate conversations with scenes from Leo’s new film, set in the Victorian era, about the abrasive and eventually violent relationship between a boy and his stepmother. The suggestion, only voiced by Dana, that Leo’s talent is running out sits at the heart of this subtle play.

An Afternoon at the Festival was first presented by Yorkshire Television in 1973.

audio After the Fall

LA Theatre Works
Type: Audio

Arthur Miller’s famous autobiographical drama takes place inside the tortured mind of a 40-year-old lawyer. Quentin is haunted by his disastrous affair with a needy sex symbol - a character rumored to be based on Marilyn Monroe, Miller’s second wife.

Featuring: Amy Brenneman, Anthony LaPaglia, Amy Pietz, Amy Aquino, Gregory Itzin, Claudette Nevins, Natalija Nogulich, Al Ruscio, Raphael Sbarge, Kenny Williams

audio Agnes of God

LA Theatre Works
Type: Audio

In this contemporary murder mystery, set within the confines of a convent, Agnes is a devout, innocent young nun accused of infanticide. As a psychiatrist, herself a lapsed Catholic, and the Mother Superior struggle over Agnes' fate, the play plunges deeply into the mystery of faith and the consequence of truth.

Includes an interview with Dr. Kevin Orlin Johnson, author of "Why Do Catholics Do That.”

An L.A. Theatre Works full-cast performance featuring Barbara Bain, Emily Bergl and Harriet Harris.

Featuring: Barbara Bain, Emily Bergl, Harriet Harris

audio Aliens in America

LA Theatre Works
Type: Audio

Contemporary satirist Sandra Tsing Loh spins a darkly comic, autobiographical tale of growing up middle class Chinese-German in Southern California. This witty monologue is for sons and daughters everywhere who feel that their parents must have been beamed to earth from another planet.

An L.A. Theatre Works solo performance featuring Sandra Tsing Loh.

Featuring: Sandra Tsing Loh

audio All My Sons

LA Theatre Works
Type: Audio

World War II is over and a family, mourning a son missing in action, plants a memorial tree and tries to go on with their lives. A storm blows down the tree and a devastating family secret is uprooted, setting the characters on a terrifying journey towards truth. Based upon a true story, All My Sons is a classic drama by one of America’s greatest playwrights.

At the heart of All My Sons lies a scathing criticism of the American Dream. After its publication Arthur Miller was called to appear before the House Un-American Activities Committee, where he famously refused to give evidence against others. A Tony Award Winner for Best Author (1947). Includes an interview with historian Bill Yenne, author of “The American Aircraft Factory in World War Two”, one of his many works that chronicle the history of wartime aviation and manufacturing. An L.A. Theatre Works full-cast performance featuring: Julie Harris as Kate Keller James Farentino as Joe Keller Arye Gross as Chris Keller Mitchell Hebert as Dr. Bayliss Naomi Jacobson as Ann Barbara Klein as Lydia Paul Morella as George Michaeleen O'Neil as Sue Nathan Taylor as Bert Jerry Whiddon as Frank Directed by Nick Olcott. Recorded at Voice of America, Washington DC.

Featuring: James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor, Jerry Whiddon

All of You Mine

Bloomsbury Publishing
Type: Text

All of you Mine is a mysterious drama set in a mining community, near 'any one of fourteen ex-pit villages around Doncaster, South Yorkshire, whose pits were closed either as a planned programme, or as a direct result of the 1984 miners' strike.'

Twelve years on from the mining accident which precipitated the closure of the mine and the breaking of the strike, a memorial is being erected to the five men who died. The Cade family lost and gained much from that accident: daughter Verna, now 37, lost the father of her son, while her older brother Danum gained the site for the garden centre which he still runs prosperously at the play's opening. Meanwhile, at the head of the family stands their half-blind mother Cissy, who sees more, and knows more, than she is willing to share freely.

This mysterious family drama, which slowly builds to the revelation that the disaster may not have been so accidental, was described at the time as an eloquent lament for an eclipsed mining community. It premiered at the Bush theatre, London, in 1997.

audio An American Daughter

LA Theatre Works
Type: Audio

Pulitzer-Prize winner Wendy Wasserstein spins a comic and moving tale about the pitfalls that await political appointees. As a respected health crusader and devoted wife and mother, Dr. Lyssa Hughes seems perfect for the role of U.S. Surgeon General, until a chance remark at a fashionable brunch sets off a media feeding frenzy.

An L.A. Theatre Works full-cast performance featuring David Birney, Anna Gunn, Jamie Hanes, Gregory Itzin, Michael Malone, Kevin McCarthy, Mary McDonnell, Claudette Nevins and Denise Nicholas.

Featuring: David Birney, Anna Gunn, Jamie Hanes, Gregory Itzin, Michael Malone, Kevin McCarthy, Mary McDonnell, Claudette Nevins, Denise Nicholas

audio American Dreams

LA Theatre Works
Type: Audio

After World War II, an African-American war vet brings home his Japanese bride. The family must learn to be tolerant of their new family member, while dealing with prejudice in the outside world. An L.A. Theatre Works full-cast performance featuring Mary Bond Davis, Yvonne Farrow, Bonnie Oda Homsey, Peter A. Jacobs, Carl Lumbly, Vonetta McGee, Don Reed, Charlie Robinson and Patricia Thompson. Directed by Peggy Shannon. Recorded before a live audience by L.A. Theatre Works.

Featuring: Mary Bond Davis, Yvonne Farrow, Bonnie Oda Homsey, Peter A. Jacobs, Carl Lumbly, Vonetta McGee, Don Reed, Charlie Robinson and Patricia Thompson

Featuring: Mary Bond Davis, Yvonne Farrow, Bonnie Oda Homsey, Peter A. Jacobs, Carl Lumbly, Vonetta McGee, Don Reed, Charlie Robinson and Patricia Thompson

An L.A. Theatre Works full-cast performance featuring Mary Bond Davis, Yvonne Farrow, Bonnie Oda Homsey, Peter A. Jacobs, Carl Lumbly, Vonetta McGee, Don Reed, Charlie Robinson and Patricia Thompson.

Directed by Peggy Shannon. Recorded before a live audience in Santa Monica, CA in January, 1991.

Featuring: Mary Bond Davis, Yvonne Farrow, Bonnie Oda Homsey, Peter A. Jacobs, Carl Lumbly, Vonetta McGee, Don Reed, Charlie Robinson, Patricia Thompson

audio Anna Christie

LA Theatre Works
Type: Audio

"The passion of a coal barge captain’s daughter and a rough-hewn sailor takes a tumultuous turn when her secret past is revealed. Nobel laureate Eugene O’Neill won the second of his four Pulitzer Prizes for this heroic classic.

An L.A. Theatre Works full-cast performance starring:

Stacy Keach as Chris Christopherson

Alison Elliot as Anna Christopherson

Dwier Brown as Mat Burke

Scott Lowell as Larry

Alley Mills as Marthy Owen"

Featuring: Stacy Keach, Alison Elliott, Alley Mills, Dwier Brown, Maurice Chase, Scott Lowell

April in Paris

Bloomsbury Publishing
Type: Text

April in Paris is a delicately wrought comedy filled with raucous indelicate dialogue. Al and Bet are a married couple, living a monochrome life. Left half-broke by Al's continuing unemployment, the couple bicker about everything from having no hot water, to Al's uninspired black-and-white paintings to Bet's obsession with magazine competitions.

When Bet finally wins one – the prize being a trip for two to Paris – there is the glimmer of romantic hope for a complete reversal of fortunes. Instead, it is in the slow gains, the addition of colour and the learning to be nice to one another again that gives this play its surprising, uplifting dénouement.

April in Paris was first performed by Hull Truck theatre Company in 1992, with the author and his wife playing Al and Bet respectively.

audio Arcadia

LA Theatre Works
Type: Audio

Tom Stoppard’s “Arcadia” merges science with human concerns and ideals, examining the universe’s influence in our everyday lives and ultimate fates through relationship between past and present, order and disorder and the certainty of knowledge. Set in an English country house in the year 1809-1812 and 1989, the play examines the lives of two modern scholars and the house's current residents with the lives of those who lived there 180 years earlier.

The New York Times calls Arcadia: “Tom Stoppard’s richest, most ravishing comedy to date. A play of wit, intellect, language, brio and emotion,” and The Royal Institution of Great Britain calls it: “the best science book ever written.” Includes an interview with Steven Strogatz, the author of Nonlinear Dynamics and Chaos and Professor at the Cornell University School of Theoretical and Applied Mathematics. An L.A. Theatre Works full-cast performance featuring: Kate Burton as Hannah Mark Capri as Chater Jennifer Dundas as Thomasina Gregory Itzin as Bernard Nightingale David Manis as Cpt. Brice Christopher Neame as Noakes and Jellaby Peter Paige as Valentine Darren Richardson as Augustus Kate Steele as Chloe Serena Scott Thomas as Lady Croom Douglas Weston as Septimus Directed by John Rubinstein. Recorded at the Invisible Studios, West Hollywood. Arcadia is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation to enhance public understanding of science and technology in the modern world.

Featuring: Kate Burton, Mark Capri, Jennifer Dundas, Gregory Itzin, David Manis, Christopher Neame, Peter Paige, Darren Richardson, Kate Steele, Serena Scott Thomas, Douglas Weston

The Arcata Promise

Bloomsbury Publishing
Type: Text

The Arcata Promise is a study of the grotesque self-pity of an unstable actor, a merciless account of individual self-delusion and failure.

Once a successful actor, Gunge now lives in a grimy basement, arguing with a disembodied Voice and fantasising about violence. Glimpses of him prowling the stage as Richard II are intercut with memories of his relationship with Laura, a young woman who believed his promise of eternal devotion, but became gradually disillusioned as his alcoholism and hostility emerged. The sudden appearance of Tony, a valet, in Gunge’s squalid residence fractures Gunge’s reality and psyche even further, bringing Mercer’s story of tortured attraction to a destructive conclusion.

The Arcata Promise was first presented by Yorkshire Television in 1974.

The Architect

Bloomsbury Publishing
Type: Text

The Architect is a play of crumbling walls and relationships, about the eternally disappointing gap between an idea and its reality.

At the play’s centre is Leo, once a highly successful architect, now in charge of designing ‘access’, or in other words, car parks. In the seventies he built a high-concept and cheap-to-build housing estate shaped like Stonehenge, which won awards and praise for its innovation from everyone except the uncomfortable residents.

Now, as they petition for it to be knocked down and rebuilt, Leo finds that his family is collapsing too. His wife is obsessed by pervasive pollution, unable to move for fear of pesticides and decay. His son is lost in day-dreams about jobs he will never get, and a tense, destructive relationship with a man he met in a public toilet, while his daughter hitchhikes all night with long-distance lorry drivers.

The Architect is a taut, barbed story about vision and the cold light of day. Greig’s play was first performed at the Traverse Theatre, Edinburgh in 1996.

audio Are You Now or Have You Ever Been?

LA Theatre Works
Type: Audio

In the mid-1950’s, the House Un-American Activities Committee began investigating the communist influence in the entertainment industry. This searing docudrama from actual transcripts of the hearings reveals how decent people were persuaded to “name names,” and the steep price paid by those who refused.

An L.A. Theatre Works full cast performance featuring: René Auberjonois, Edward Asner, Bonnie Bedelia, Jack Coleman, Bud Cort, Richard Dreyfuss, Hector Elizondo, Robert Foxworth, Harry Hamlin, James Earl Jones, Richard Masur, Franklyn Seales, Joe Spano, James Whitmore, Michael York, and Harris Yulin.

Featuring: Ryan Vincent Anderson, Michael Canavan, Jake Green, Harry Hamlin, Shannon Holt, Alan Mandell, James Morrison, David Selby, Kate Steele, Nick Toren, John Vickery

audio Art

LA Theatre Works
Type: Audio

How much would you pay for a painting with nothing on it? Would it be “art”? Marc’s best friend Serge has just bought a very expensive – and very white – painting. To Marc, it is a joke, and as battle lines are drawn, old friends use the painting to settle scores. With friendships hanging in the balance, the question becomes: how much is a work of “art” worth? A Tony Award winner for Best Play and Oliver Award winner for Best Comedy.

Includes interviews with actors Bob Balaban and Brian Cox, as well as an interview with translator Christopher Hampton.

An L.A. Theatre Works full-cast performance featuring:

Bob Balaban as Serge

Brian Cox as Marc

Jeff Perry as Yvan

Directed by Peter Levin. Translated by Christopher Hampton. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

Featuring: Bob Balaban, Brian Cox, Jeff Perry

'Art'

Faber and Faber
Type: Text

Serge has bought a modern work of art for a large sum of money. Marc hates the painting and cannot believe that a friend of his could possibly want such a work. Yvan attempts, unsuccessfully, to placate both sides with hilarious consequences. The question is: Are you who you think you are or are you who your friends think you are?

'Art' in this translation was first performed at Wyndham's Theatre, London, in October 1996.

In 1998, the play received the Evening Standard and Laurence Olivier awards for Best Comedy and the Tony and New York Drama Critics' Circle awards for Best Play.

The Art of Success

Faber and Faber
Type: Text

Eighteenth century London. The world of art is on the brink of transformation, about to spread from the drawing rooms of the rich to public houses across the country. Compressing the events of ten tumultuous years into a single night, Nick Dear uncovers the hidden world of seminal artist William Hogarth. The Art of Success is a raucous play with resonant debates about gender, sex, hedonism in the face of censorship and the responsibility of the artist.

The Art of Success by Nick Dear was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, in July 1986.

Ashes to Ashes

Grove Atlantic
Type: Text

Ashes to Ashes was first presented by the Royal Court at the Ambassadors Theatre, London, in September 1996.

The Astonished Heart

Bloomsbury Publishing
Type: Text

The Astonished Heart is the story of a happily married psychiatrist who gradually sinks under the emotional pressure of falling passionately in love with his wife’s friend Leonora. Christian is tortured by jealousy and by his acute professional awareness of his obsession, gradually losing his control but not his fascinating articulacy.

The Astonished Heart is a short play from the Tonight at 8.30 cycle, conceived by Coward as an antidote to the boredom of a long run of the same script. It is a sequence of ten plays to be performed by the same cast in sets of three, alternating matinées and evenings, ranging from farce to melodrama to romantic comedy.

After touring, Tonight at 8.30 was produced at the Phoenix Theatre in London in 1936.

audio At Long Last Leo

LA Theatre Works
Type: Audio

Leo Beagle has spent two years writing a 638 page manifesto on human harmony that just might change the world. The problem is only that no one wants to read it, especially not Leo’s unharmonious family.

An L.A. Theatre Works full-cast performance featuring Barbara Bain, Arye Gross, Mary Gross, Valerie Mahaffey, Marc-Bradley Phillips and Robert Symonds.

Directed by Steve Albrezzi. Recorded before a live audience in Santa Monica, CA in March, 1992.

Featuring: James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O’Neil, Nathan Taylor, Jerry Whiddon, Steven Culp, Maureen Flannigan, Jason Henning, Jane Kaczmarek, Stacy Keach, Sam McMurray, Kathryn Meisle, Tim Monsion, John Sloan, Kate Steele, Kenneth Williams, Irene Aranga, Rene Auberjonois, Ed Begley Jr., Bud Cort, Richard Dreyfuss, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearne, Carol Kane, Stacy Keach, Joe Spano, Michael York, Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O’Neill, Amy Pietz, Don Tieri, Amy Brenneman, Anthony LaPaglia, Amy Pietz, Amy Aquino, Gregory Itzin, Claudette Nevins, Natalija Nogulich, Al Ruscio, Raphael Sbarge, Kenny Williams, Ben Diskin, Arye Gross, Jamie Hanes, Andrew Hawkes, Gregory Itzin, Robert Lesser, Jon Matthews, Lawrence Pressman, Raphael Sbarge, Armin Shimerman, Shahar Sorek, Richard Dreyfuss, Amy Irving and Harris Yulin, Brian Cox, Jenny O’Hara, Amy Pietz, Kirsten Potter, Gregory Itzin, Saidah Arrika Ekulona, Jane Brucker, David Dukes, Lawrence Pressman, Linda Purl, John Vickery, JoBeth Williams

audio Atomic Bombers

LA Theatre Works
Type: Audio

In 1943, something strange is going on in the New Mexican desert. By night, the starkly beautiful canyons of Los Alamos fill with the sound of exploding graphite – and by day, the crackle of scientific brainpower. Fifty years after Hiroshima, Atomic Bombers takes us into those secretive canyons to meet the cadre of brilliant scientists who worked there. With wisecracking physicist Dr. Richard Feynman as our guide, the race to the atom bomb comes alive as a very human endeavor, filled with humor, playfulness and dread.

An L.A. Theatre Works full-cast performance featuring Larry Cox, Jeannie Elias, Robin Gammell, Jon Matthews, Phillip Mershon, Danny Mora, Wolf Muser, Lisa Jane Persky, John Vickery, Tom Virtue and Ron West.

Featuring: Larry Cox, Jeannie Elias, Robin Gammell, Jon Matthews, Phillip Mershon, Danny Mora, Wolf Muser, Lisa Jane Persky, John Vickery, Tom Virtue, Ron West

At the Inland Sea

Bloomsbury Publishing
Type: Text

At The Inland Sea is a strange, searing, dream-like play, showing a child coming face to face with humanity, and all its horror and neglect.

As a boy prepares for the first day of his exams, fussed over by his mother, he meets a woman from the past, and her baby, and the soldiers with rifles who are coming to take them away. The woman tells him about the hardness of her life, and demands a story from him, which will stop the soldiers, but the boy can’t find one that will work. Following his desperate search for a story to save them, the play is a struggle of imagination and compassion, the crux of humanity.

At The Inland Sea is subtitled a play for young people; it was written for the Big Brum Theatre-in-Education company, and was toured to schools and colleges in the West Midlands in 1995.

audio Atwater: Fixin’ To Die

LA Theatre Works
Type: Audio

Gregory Itzin portrays the brilliant but flawed Lee Atwater, a self-styled master of negative campaigning and a tightly wound country boy from South Carolina, who rose to the chairmanship of the Republican Party.

An L.A. Theatre Works performance featuring Gregory Itzin.

Featuring: Gregory Itzin

audio The Autumn Garden

LA Theatre Works
Type: Audio

A Chekhovian comedy from Pulitzer Prize-winning playwright Lillian Hellman about the sad and funny frailties of human existence. As the summer of 1949 draws to a close, a group of middle-aged friends are gathering for their annual retreat at a genteel Southern resort. An acquaintance from the past thrusts himself into the yearly gathering, forcing them to re-examine their mundane yet seemingly idyllic existence, the opportunities they’ve lost, and the lives that have passed them by.

An L.A. Theatre Works full-cast performance featuring: Glenne Headly as Rose Griggs Julie Harris as Mrs. Mary Ellis David Clennon as General Benjamin Griggs Eric Stoltz as Edward Crossman Scott Wolf as Frederick Ellis Roxanne Hart as Carrie Ellis Tracy Middendorf as Sophie Tuckerman Jeronimo Spinx as Leon Gates McFadden as Constance Tuckerman David Selby as Nicholas Denery Mary Steenburgen as Nina Denery Lynne Marta as Hilda

Featuring: David Clennon, Julie Harris, Roxanne Hart, Glenne Headly, Lynne Marta, Gates McFadden, Tracy Middendorf, David Selby, Jeronimo Spinx, Mary Steenburgen, Eric Stoltz, Scott Wolf

audio Awake and Sing!

LA Theatre Works
Type: Audio

Clifford Odets’ masterpiece, starring Mark Ruffalo, Richard Kind and Ben Gazzara, brings to life the struggles of a working-class family aspiring to the promise of the American Dream. Even as they endure the country’s worst economic nightmare, three generations of an immigrant family are crowded into a Bronx tenement, fiercely determined to stay afloat, no matter what the cost.

An L.A. Theatre Works full-cast performance featuring: Emily Bergl as Hennie Berger Ben Gazzara as Jacob Jonathan Hadary as Myron Berger Jane Kaczmarek as Bessie Berger Richard Kind as Uncle Morty Peter Kybart as Schlosser Mark Ruffalo as Moe Axelrod Raphael Sbarge as Sam Feinschreiber Peter Smith as Ralph Berger Directed by Bartlett Sher. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

Featuring: Emily Bergl, Ben Gazzara, Jonathan Hadary, Jane Kaczmarek, Richard Kind, Peter Kybart, Mark Ruffalo, Raphael Sbarge, Peter Smith

Babies

Bloomsbury Publishing
Type: Text

Babies is a warm-hearted, buoyant and very funny comedy about homosexuality and judgement in a working-class setting.

Liverpudlian Joe Casey is twenty-four and a form tutor at a south-east London comprehensive. Alternately advising and battening down a group of fourteen-year-olds with a mixture of naivety and Scouse nous, Joe keeps his homosexuality a secret from the insult-slinging Year Nines. At home, he is flummoxed by his partner Woody’s reliance on drugs. Then there is a pupil’s birthday party to negotiate: Joe must fend off the advances of her rapacious, wisecracking mum, only to find himself entangled with her uncle.

Based on Harvey’s own experiences as a teacher, but with a comic spring in its step, Babies premiered at the Royal Court Theatre in 1994.

Bailegangaire

Bloomsbury Publishing
Type: Text

In Bailegangaire, an endless folk story told by a senile old woman is woven through her granddaughters’ arguments and struggles to free themselves from her.

Night after night, in lyrical and relentless detail, Mommo begins to relate the story of a laughing competition in Bailegangaire and how the town came by its name – ‘the town without laughter’. Of her two granddaughters, she only recognises Dolly, and not Mary who does most to look after her. The younger women yearn to be free of the past in order to make a new beginning, and Mary comes to believe that to do so the story of Bailegangaire has to be concluded.

In Mommo, Tom Murphy has created one of the greatest female characters of twentieth-century Irish literature. The play was first performed by Druid Theatre Company, Galway, in 1985.

audio Ballad of Yachiyo

LA Theatre Works
Type: Audio

The Ballad of Yachiyo is a tale of illicit passion by Guggenheim-winning playwright Philip Kan Gotanda, set in 1919 among the lush cane fields of Hawaii. Inspired by true events in the playwright’s family, The Ballad of Yachiyo follows 16-year-old Yachiyo as she reluctantly leaves her impoverished parents to live with sophisticated relatives. Her mother hopes she will learn the Japanese tea ceremony and other refinements that will help attract a wealthy husband. But as Yachiyo acquires civilized graces from her hostess, Okusan, she also struggles with a growing passion for Okusan’s handsome, dissolute husband. The Ballad of Yachiyo is a gripping story of poetic imagery by one of America’s leading contemporary playwrights.

An L.A. Theatre Works full-cast performance featuring June Angela, Takayo Fischer, Dian Kobayashi, Lane Nishikawa, Sab Shimono, Greg Watanabe and Annie Yee.

Featuring: June Angela, Takayo Fischer, Dian Kobayashi, Lane Nishikawa, Sab Shimono, Greg Watanabe, Annie Yee

audio The Baltimore Waltz

LA Theatre Works
Type: Audio

A darkly satirical play written at the height of the AIDS crisis. As a young woman is diagnosed with a mysterious new illness, she and her beloved brother flee to Europe in search of a cure … and to escape the pain and uncertainty of the future.

An L.A. Theatre Works full-cast performance featuring Jenny Bacon, Christopher Donahue and Jerry Saslow.

Featuring: Jenny Bacon, Christopher Donahue, Jerry Saslow

The Bankrupt

Bloomsbury Publishing
Type: Text

David Mercer’s play is a bleakly comic study of the introspective amnesia of Ellis Cripper, who has emerged from his recent dishonourable bankruptcy into a personal crisis, with no idea of how to construct his life.

He dreams of summoning a series of historical figures, who propose a series of abstract and general answers to his existential crisis, but neither their adages nor the analyses of doctors and psychiatrists are satisfactory. The play flickers between these conjurations, and Ellis’s visit to his father, his sister and her husband, who try to offer their own structures of Ellis’s existence. But Ellis would rather talk to worms, invoke Hamlet, and write down his dreams.

The Bankrupt is a darkly effective play about a man’s struggle for significance. It was first presented by BBC Television on BBC1, in 1972.

audio Barefoot in the Park

LA Theatre Works
Type: Audio

A brand-new lawyer and his bride have returned from their honeymoon and are moving into a new apartment. Once there, they find the place is bare of furniture, the paint job is wrong, the skylight leaks and wacky neighbors keep popping up! A classic!

Includes an interview with Marc Masterson, the Artistic Director of South Coast Repertory in Costa Mesa, California. Before joining South Coast in 2011, Marc was the Artistic Director of the Actors Theatre of Louisville for eleven seasons, and programmed the prestigious Humana Festival of New American Plays. During his tenure in Louisville, Marc directed a number of classic and contemporary works, including a highly-praised production of Neil Simon’s Barefoot in the Park.

An L.A. Theatre Works full-cast performance featuring Norman Aronovic, Laura Linney, J. Fred Shiffman, Judy Simmons and Eric Stoltz.

Featuring: Norman Aronovic, Laura Linney, J. Fred Shiffman, Judy Simmons, Eric Stoltz

Barnes’ People: Eight Monologues

Bloomsbury Publishing
Type: Text

Barnes’ People is a series of wonderfully varied monologues from deeply imagined individuals. Whether their stories are historical, fantastic or familiar, they are always intimate and human.

‘Confessions of a Primary Terrestrial Mental Receiver and Communicator: Num III Mark I’ is spoken by a man who finds a meaning for his life through covert correspondence with aliens.

‘The Jumping Mimuses of Byzantium’, spoken by an aged hermit, is based on a legend of a tumbling jester and a wanton prostitute with a nocturnal secret.

‘The Theory and Practise of Belly-Dancing’ is about finding a way to survive the everyday.

‘The End of the World – And After’ is spoken by William Miller, a preacher who amassed a large following by predicting that Christ’s Second Coming would occur in 1844.

A one-hundred-and-thirteen year old woman tells an interviewer about her calmly scurrilous life in ‘Yesterday’s News’.

‘Glory’ is the final oration of Peregrinus Proteus, an Ancient Greek philosopher famous for parricide, before he steps on to his own funeral pyre.

In ‘No End to Dreaming’, an old man tells his psychoanalyst about growing up in the Cracow ghetto and about his dreams.

The monologues were presented by BBC Radio 3 in 1981.

Battle Royale

Faber and Faber
Type: Text

1795: England is at war with France, women are seen but not heard, and the Prince Regent, a man with ‘an undeserved reputation for enjoying the amusements of his position whilst not embracing duties’, is under pressure to marry and produce and heir.

Bazaar & Rummage

Bloomsbury Publishing
Type: Text

In Sue Townsend’s heartfelt comedy, three severely agoraphobic women have left their houses for the first time in years, and made it to a jumble sale. The sale has been organised by their social workers, the young trainee Fliss and the ex-agoraphobic volunteer Gwenda, though as the afternoon progresses, the distinction between them and the anxious people they are supposed to be looking after becomes less and less clear.

As Margaret, Bell-Bell and Katrina prepare to meet the public, armed with the suits of a deceased husband, old sequinned show dresses, bric-a-brac and a standard lamp, nerves and neuroses are running high, and a sensitive portrait of the suffering behind their phobia emerges.

Bazaar and Rummage was first presented in 1982 at the Royal Court Theatre Upstairs, London.

Beautiful Thing

Bloomsbury Publishing
Type: Text

Upliftingly optimistic, Harvey’s play about two teenage boys falling in love refuses melodramatic clichés to offer a story bright with sensitivity, pathos and wit.

Sixteen-year-old Jaime lives with his mum Sandra and her younger boyfriend in a low-rise block of flats in Thamesmead, London. Living next door is the rowdy Leah, who has been expelled from school and spends her days sunning herself and listening to Mama Cass. And on the other side is Ste, also sixteen. His father’s anger means that he often hides out in Jaime and Sandra’s flat, spending the night there to escape being beaten. Ste and Jaime start off top-and-tailing in Jaime’s bed, since there’s nowhere else to sleep, and Harvey unfolds their tentative, awkward relationship with delicacy and with joy.

Beautiful Thing’s crisply authentic dialogue darts between aching, soul-searching emotion and sharp winning comedy, perfectly capturing the thrill of a first love. Beautiful Thing was first performed in 1993 at the Bush Theatre, London.

The Belle of the Belfast City

Bloomsbury Publishing
Type: Text

The Belle of Belfast City is a story of loyalty, both political and familial. At its centre is Dolly, once a music-hall star, whose ballads and memories weave through the play recalling the past. Vi, the elder of her daughters, stayed with her in Belfast, while the younger Rose has travelled all over the world as a journalist. She returns, bringing with her for the first time her mixed-race and illegitimate daughter Belle, who is named for her grandmother’s stage name. The extended family also includes the Protestant Loyalist fundamentalist Jack, and his sister Janet.

Against the background of protests about the Anglo-Irish Agreement, the play confronts different models of Loyalism and allegiance, a rich and honest lament.

The Belle of Belfast City was first produced in 1989 by the Lyric Players Theatre in Belfast.

audio The Best Man

LA Theatre Works
Type: Audio

This darkly satirical drama by Gore Vidal finds two presidential contenders seeking the endorsement of an aging ex-president, and explores how personal agendas can change the course of a nation's destiny. The political intrigues rampant in Vidal's 1960 setting are strangely similar what is going on today. Includes an interview with actors Fred Thompson and Marsha Mason.

An L.A. Theatre Works full-cast performance featuring Terrence Currier, Johnny Holliday, Naomi Jacobson, Timmy Ray James, Michael Kramer, Marsha Mason, Paul Morella, Kevin Murray, Judy Simmons, Gary Sloan and Fred Thompson.

Featuring: Terrence Currier, Johnny Holliday, Naomi Jacobson, Timmy Ray James, Michael Kramer, Marsha Mason, Paul Morella, Kevin Murray, Judy Simmons, Gary Sloan, Senator Fred Thompson

audio The Best of Second City: Vol. 1

LA Theatre Works
Type: Audio

Take an unforgettable ride with the classic sketches that helped make this America’s foremost comedy troupe. The Second City lampoons every aspect of modern American life, with brilliant improvised sketches on subjects ranging from salad bars to affairs of state.

An L.A. Theatre Works full-cast performance featuring Fran Adams, Scott Adsit, Scott Allman, Edward Asner, Samantha Bennett, Jennifer Bill, Steve Carell, Stephen Colbert, Paul Dinello, Arye Gross, Jenn Jolovitz, Tim Kazurinsky, Laura Krafft, Joe Liss, Marsha Mason, Michael McCarthy, Jerry Minor, Tim O'Malley, David Razowsky, Mitch Rouse, John Rubano, Ruth Rudnick, Amy Sedaris, Brian Stack, Jill Talley, Miriam Tolan, Nia Vardalos, Ron West, Peter Zahradnick and Jim Zulevic.

Featuring: Fran Adams, Scott Adsit, Scott Allman, Edward Asner, Samantha Bennett, Jennifer Bill, Steve Carell, Stephen Colbert, Paul Dinello, Arye Gross, Jenn Jolovitz, Tim Kazurinsky, Laura Krafft, Joe Liss, Marhsa Mason, Michael McCarthy, Jerry Minor, Tim O'Malley, David Razowsky, Mitch Rouse, John Rubano, Ruth Rudnick, Amy Sedaris, Brian Stack, Jill Talley, Miriam Tolan, Nia Vardalos, Ron West, Peter Zahradnick, Jim Zulevic

audio The Best of Second City: Vol. 2

LA Theatre Works
Type: Audio

Take an unforgettable ride with the classic sketches that helped make this America’s foremost comedy troupe. The Second City lampoons every aspect of modern American life, with brilliant improvised sketches on subjects ranging from salad bars to affairs of state.

An L.A. Theatre Works full-cast performance featuring Fran Adams, Scott Adsit, Scott Allman, Edward Asner, Samantha Bennett, Jennifer Bill, Steve Carell, Stephen Colbert, Paul Dinello, Arye Gross, Jenn Jolovitz, Tim Kazurinsky, Laura Krafft, Joe Liss, Marsha Mason, Michael McCarthy, Jerry Minor, Tim O'Malley, David Razowsky, Mitch Rouse, John Rubano, Ruth Rudnick, Amy Sedaris, Brian Stack, Jill Talley, Miriam Tolan, Nia Vardalos, Ron West, Peter Zahradnick and Jim Zulevic.

Featuring: Fran Adams, Scott Adsit, Scott Allman, Edward Asner, Samantha Bennett, Jennifer Bill, Steve Carell, Stephen Colbert, Paul Dinello, Arye Gross, Jenn Jolovitz, Tim Kazurinsky, Laura Krafft, Joe Liss, Marhsa Mason, Michael McCarthy, Jerry Minor, Tim O'Malley, David Razowsky, Mitch Rouse, John Rubano, Ruth Rudnick, Amy Sedaris, Brian Stack, Jill Talley, Miriam Tolan, Nia Vardalos, Ron West, Peter Zahradnick, Jim Zulevic

audio The Best of Second City: Vol. 3

LA Theatre Works
Type: Audio

Take an unforgettable ride with the classic sketches that helped make this America’s foremost comedy troupe. The Second City lampoons every aspect of modern American life, with brilliant improvised sketches on subjects ranging from salad bars to affairs of state.

An L.A. Theatre Works full-cast performance featuring Fran Adams, Scott Adsit, Scott Allman, Edward Asner, Samantha Bennett, Jennifer Bill, Steve Carell, Stephen Colbert, Paul Dinello, Arye Gross, Jenn Jolovitz, Tim Kazurinsky, Laura Krafft, Joe Liss, Marsha Mason, Michael McCarthy, Jerry Minor, Tim O'Malley, David Razowsky, Mitch Rouse, John Rubano, Ruth Rudnick, Amy Sedaris, Brian Stack, Jill Talley, Miriam Tolan, Nia Vardalos, Ron West, Peter Zahradnick and Jim Zulevic.

Featuring: Fran Adams, Scott Adsit, Scott Allman, Edward Asner, Samantha Bennett, Jennifer Bill, Steve Carell, Stephen Colbert, Paul Dinello, Arye Gross, Jenn Jolovitz, Tim Kazurinsky, Laura Krafft, Joe Liss, Marhsa Mason, Michael McCarthy, Jerry Minor, Tim O'Malley, David Razowsky, Mitch Rouse, John Rubano, Ruth Rudnick, Amy Sedaris, Brian Stack, Jill Talley, Miriam Tolan, Nia Vardalos, Ron West, Peter Zahradnick, Jim Zulevic

Betrayal

Grove Atlantic
Type: Text

'There is hardly a line into which desire, pain, alarm, sorrow, rage or some kind of blend of feelings has not been compressed, like volatile gas in a cylinder less stable than it looks... Pinter's narrative method takes "what's next?" out of the spectator's and replaces it with the rather deeper "how?" and "why?" Why did love pass? How did these people cope with the lies, the evasions, the sudden dangers, panic and the contradictory feelings behind their own deftly engineered masks? The play's subject is not sex, not even adultery, but the politics of betrayal and the damage it inflicts on all involved.' The Times

First staged at the National Theatre in 1978, Betrayal was revived at the Almeida Theatre, London, in 1991. Twenty years after its first showing, it returned to the National in 1998.

The Bewitched

Bloomsbury Publishing
Type: Text

The Bewitched is an astounding carousel of the grotesque and the lyrical, the baroque and the intimate, the horrific and the comic; Barnes’s vast play tells the story of Spain’s ill-fated King Carlos II in a luminous and visceral style.

In the seventeenth century, Spain’s political stability hinged on the continuation of the sovereign bloodline. Unfortunately Carlos, the son conceived by the elderly King Philip IV in the opening scene, has epilepsy, distorted limbs, impaired speech and mental confusion, the tragic result of centuries of royal inbreeding; in Carlos, the famous Hapsburg jaw had become so prominent that he could not chew. The play traces the grim attempts of his court to engineer the conception of an heir, involving a desperate exorcism and the burning of heretics as an aphrodisiac. Barnes offers a searing examination of the belief that certain persons are entitled to hold power, and a tragic account of a life of suffering, charged with pain and cold poetry.

The Bewitched was first presented in 1974 at the Aldwych Theatre, London.

audio Biloxi Blues

LA Theatre Works
Type: Audio

The second hilarious installment of Neil Simon’s autobiographical trilogy follows a naïve Eugene Jerome through boot camp. Performed by: Justine Bateman, Rob Benedict, Joshua Biton, John Cabrera, Matthew Patrick Davis, Steve Rankin, Josh Radnor, Russell Soder and Darby Stanchfield

Featuring: Justine Bateman, Rob Benedict, Joshua Biton, John Cabrera, Matthew Patrick Davis, Steve Rankin, Josh Radnor, Russell Soder, Darby Stanchfield

audio Black Water: An American Opera

LA Theatre Works
Type: Audio

Based on National Book Award-winner Joyce Carol Oates’ novella about the Chappaquiddick scandal, this tragic and beautiful new opera enthralls as a handsome Senator uses power to enchant, seduce and carelessly destroy.

An L.A. Theatre Works full-cast performance featuring David Lee Brewer, Reid Bruton, Stephanie Buckley, Karen Burlingame, Kimberly Graham, Linda Kerns, Erin Langston, Patrick Mason, John Savarese and Rob Shacklett.

Composed by John Duffy, libretto by Joyce Carol Oates.

Featuring: David Lee Brewer, Reid Bruton, Stephanie Buckley, Karen Burlingame, Kimberly Graham, Linda Kerns, Erin Langston, Patrick Mason, John Savarese, Rob Shacklett

Blinded by the Light

Bloomsbury Publishing
Type: Text

Blinded by the Light is a manic black comedy, a madcap farce of drinking, smoking, Mormons, Catholics, transvestites and a saint all crammed into the tiny bedsit of the hapless Mick.

Mick’s priorities in life are finding new ways to call in sick for work, getting hold of some roach paper, and seeing Siobhan again: he needs nothing else to make him happy. But in a moment of idleness he lets a couple of evangelical Mormons into his bedsit; they are so delighted to have found a friendly ear, it seems unlikely they’ll ever leave. Despite Mick’s increasingly desperate attempts to shock them out of all hope of converting him, soon they are visiting three times a week – prompting his landlord to invite over Lily and Jack from the Legion of Mary, to bring him back into the Catholic fold. Mick can just about juggle his schedule of visiting evangelicals, until the moment that the petty criminals from upstairs present him with the preserved head of Saint Oliver Plunkett.

Bolger’s increasingly surreal comedy is a triumph of riotous humour and sharp observation. It was first produced in 1990 by the Abbey Theatre, Dublin.

Blood Brothers

Bloomsbury Publishing
Type: Text

A compelling story of friendship, loyalty and fate, Blood Brothers is one of the longest-running and most successful ever West End musicals, as well as one of the most moving.

Twin brothers are separated at birth because their mother cannot afford to keep them both; one of them is given away to a wealthy woman, the other remains with his mother. They become friends and swear to be blood brothers, all the time unaware of their true fraternity. But as they grow older, the two brothers find they can no longer ignore the class difference that divides them, and the love triangle that has dominated their lives erupts into a quarrel. The staggeringly emotional climax of the play questions whether it was destiny, or the inevitable difference of class, that led to the fatal conflict of two brothers who were once so close. Blood Brothers was first performed at the Liverpool Playhouse in 1983.

Bloody Poetry

Bloomsbury Publishing
Type: Text

An elegiac and fiery play about poetry and failed utopias, Bloody Poetry follows Percy Bysshe Shelley and Lord Byron, and their lovers Mary Shelley and Claire Clairemont, into exile. This strange family, vilified for their private lives and socially banished to the Continent, try on the shores of Lake Geneva to find a new way of living, free of repression and constraint, and filled with love and revolutionary passion. But what emerges is a fascinating tangle of disappointments. Brenton stages the famous biographical events of the writers’ lives – the meeting of Shelley and Byron, the stormy night when Frankenstein was conceived – deftly and lyrically, a portrait of the failure of an ideal.

Bloody Poetry was first presented in 1984 at the Haymarket Theatre, Leicester.

Blowjob

Bloomsbury Publishing
Type: Text

A brutal portrait of Northern English life in the early 1970s, Blowjob is an insightful and raw piece about the nature of alienation and violence. The play plunges into the despair of industrial workers, skinheads and a mentally ill girl named Moira as they struggle to live in their isolated community.

Described by director David Hare as a ‘classic fringe play’, Blowjob juxtaposes Wilson’s unique sense of humour with political outrage and astute social commentary. The Times praised it for having ‘an authentic sense of horror; an intermingling of physical outrage and savage farce.’

Blowjob was first performed at the Edinburgh Festival in 1971, in a production directed by David Hare.

The Blue Ball

Bloomsbury Publishing
Type: Text

The Blue Ball is a strange and melodic play, an attempt to comprehend the experience of space travel.

Paul Godfrey used a travel grant from the National Theatre to visit centres of space travel in America and Russia to research The Blue Ball. His conversations with astronauts inspired the play and are partly replicated within it, as the play weaves his interviews into the story of a fictional first man in space.

It is an imaginative investigation of a culture in which the wondrous is rendered mundane, what seems commonplace is rendered absurd, and no-one ever stops asking, ‘What is it like?’ Godfrey explores the myths surrounding astronauts, and the impossibility of describing space, in scenes alive with irony and sharp comedy, creating a play which is both delicate and vastly ambitious.

The Blue Ball premiered at the Cottesloe Theatre in 1995.

Bluebird

Bloomsbury Publishing
Type: Text

Bluebird is a sensitive and melancholy play, composed of brief conversations and lifelong sorrow.

Taxi driver Jimmy hears about other people’s lives, just for a few moments. In the time it takes to drive them where they want to go, Jimmy hears about walking the streets, lost daughters and changing the lightbulbs by the tube tracks. He is asked whether he believes in ghosts, in love, in the human spirit. And as he drives through the night, the play gets closer to the core of his silences, to the tragedy of his own life, and to where he goes when there’s no one in the back seat of his cab.

Bluebird was first performed in 1998 at the Royal Court Theatre Upstairs, London.

Boom Bang-A-Bang

Bloomsbury Publishing
Type: Text

It’s 1995, it’s the Eurovision Song Contest and Lulu’s ‘Boom Bang-a-Bang’ is the soundtrack to this exuberant conjuration of a Eurovision party that starts as camp and ends as farce, though there is a real power to Harvey’s discussion of sexuality.

Norman the lonely neighbour upstairs is trying every trick in the book to get himself invited to the party, but it is strictly for close friends only. In fact, it’s really just for people who knew Michael, Lee’s deceased boyfriend, as the couple used to host the best Eurovision parties and Lee wants to honour his memory. But most of his friends have opted for a rival party, and so Lee is left with his sister Wendy, the camp and irrepressible Steph, the gorgeous raver Roy, and the sparring couple Nick and Tanya. And the evening he had planned, full of kitsch, Bucks Fizz and douze points, goes astray amid the covert love affairs, accidental fires, memories and tears.

Boom Bang-A-Bang was first performed in 1995 at the Bush Theatre, London.

audio Born Guilty

LA Theatre Works
Type: Audio

Based on Peter Sichrovsky’s book of the same name, Born Guilty is a moving and elegiac play about one man's journey into the hearts of children raised by Nazi parents. As Peter, a Jewish journalist, digs into the past, he faces psychological barriers that threaten to bury the truth forever.

An L.A. Theatre Works full-cast performance featuring Lawrence Grimm, Cammy Kelly, Sam Munoz, Jeremy Piven, Christian Stolte, Becky Wahlstrom, Kate Walsh, Deirdre Waters and Fred Wellisch.

Featuring: Lawrence Grimm, Cammy Kelly, Sam Munoz, Jeremy Piven, Christian Stolte, Becky Wahlstrom, Kate Walsh, Deirdre Waters, Fred Wellisch

Bouncers (1990s Remix)

Bloomsbury Publishing
Type: Text

Bouncers by John Godber shows a night on the tiles from the point of view of the men on the door. It is a funny, energetic piece of highly theatrical storytelling where the men are at once themselves, and every character they happen to meet on a night at work at the nightclub.

In his introduction, the author writes: 'In many ways the content informed the form. The boredom of the men on the door spills over into grotesque violence and fantasy. The antics of the girls and boys out for a night on the town hardly need developing to make them dramatic. The conflict between those wanting a good time and those stopping a good time from being had is a basic dramatic premise . . . the central theme of Bouncers is universal: men after beer after women, and the beat goes on.'

Bouncers premiered at the Edinburgh Festival in 1984. This revised version was first presented by the Hull Truck Theatre Company in 1991.

audio Breaking the Code

LA Theatre Works
Type: Audio

Based on the book ALAN TURING: THE ENIGMA by Andrew Hodges.

Simon Templeman stars as brilliant mathematician Alan Turning, the man who cracked the German Enigma code and enabled the Allies to win World War II. But Turing was to find that the country he saved cared less about his genius and more about his sexual orientation.

An L.A. Theatre Works full-cast performance featuring: Sheelagh Cullen as Sara Turing Kenneth Danziger as Detective Mick Ross Peter Dennis as John Smith Samantha Robson as Pat Green Orlando Seale as Ron Miller W. Morgan Sheppard as Dillwyn Knox Andre Sogliuzzo as Christopher Morcom and Nikos Simon Templeman as Alan Turing Directed by Rosalind Ayres. Recorded before a live audience at the Skirball Cultural Center, Los Angeles in July, 2003. Breaking the Code is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation to enhance public understanding of science and technology in the modern world.

Featuring: Sheelagh Cullen, Kenneth Danziger, Peter Dennis, Samantha Robson, Orlando Seale, W. Morgan Sheppard, Andre Sogliuzzo, Simon Templeman

The Break of Day

Faber and Faber
Type: Text

In The Break of Day Timberlake Wertenbaker turns a sharp and beady eye on three women and their partners. The century is coming to an end and a feeling of dissatisfaction and unease seizes the group. Is it too late to have children? Were they wrong to focus so much on work? These questions force each of them to recast their future.

The Break of Day premiered in an Out of Joint production at the Haymarket Theatre, Leicester, in 1995.

Breezeblock Park

Bloomsbury Publishing
Type: Text

Set on a Liverpool Housing estate in the run up to Christmas, Breezeblock Park is a comedy about the ups and downs of family life. Betty is preparing the decorations for her guest, and making her house neat and tidy for her guests. But what she hopes will be a respectable Christmas gathering of her daughter Sandra, brother Tim and sister Reeny, becomes a maelstrom of drunken bickering and petty recriminations when Sandra reveals the shocking news that she is pregnant.

One of Russell's first plays, Breezeblock Park was first presented in 1975 at the Everyman Theatre, Liverpool before transferring to London that same year.

audio Brighton Beach Memoirs

LA Theatre Works
Type: Audio

In Neil Simon’s darkly funny memoir of his family in 1930’s Brooklyn, fourteen-year-old Eugene is preoccupied by his passion for the Yankees and his lust for his beautiful cousin, Nora. Eugene’s comic growing pains contrast with the darker issues troubling his family: poverty, illness and the growing Nazi threat to relatives in Europe. Simon creates a Brooklyn universe full of memorable characters, humor and truth. A BBC co-production.

An L.A. Theatre Works full-cast performance featuring Max Casella, Peter Michael Goetz, Valerie Harper, Alexana Lambros, Anna Sophie Loewenberg, Jonathan Silverman and Joyce Van Patten.

Featuring: Max Casella, Peter Michael Goetz, Valerie Harper, Alexana Lambros, Anna Sophie Loewenberg, Jonathan Silverman, Joyce Van Patten

audio Broadway Bound

LA Theatre Works
Type: Audio

The final installment of the playwright Neil Simon’s acclaimed biographical Eugene Trilogy, preceded by Brighton Beach Memoirs and Biloxi Blues.

Having returned from World War II, Eugene Jerome and his brother Stanley pair up to break into the world of professional comedy writing. Inspiration strikes when they aim their sights on their dysfunctional family – and the network broadcasts it nationwide! A Tony Award and Pulitzer Prize nominee for Best Play.

An L.A. Theatre Works full-cast performance featuring Caroline Aaron, Dan Castellaneta, Kyle Colerider-Krugh, James Gleason, Alan Mandell, Jonathan Silverman, JoBeth Williams and Scott Wolf.

Featuring: Caroline Aaron, Dan Castellaneta, Kyle Colerider-Krugh, James Gleason, Alan Mandell, Jonathan Silverman, JoBeth Williams, Scott Wolf

audio Broken Eggs

LA Theatre Works
Type: Audio

This painfully funny slice of Cuban-American life in the suburbs is a cross between a Hispanic soap opera and an ethnic comedy with political overtones. This deft play can turn serious or silly in an instant and you’ll need a scorecard to keep track of the cascading and frequently arboreous calamities.

An L.A. Theatre Works full-cast performance featuring Mehnlehseh Boayue, Noe Cuellar, Marilyn Dodds Frank, Sabrina duKavan, Gustavo Mellado, Maricela Ochoa, John C. Seda and Edward F. Torres.

Featuring: Mehnlehseh Boayue, Noe Cuellar, Marilyn Dodds Frank, Sabrina duKavan, Gustavo Mellado, Maricela Ochoa, John C. Seda, Edward F. Torres

audio Broken Glass

LA Theatre Works
Type: Audio

Set in 1938 Brooklyn, this gripping psychological mystery begins when attractive, level-headed Sylvia Gellburg suddenly loses her ability to walk. The only clue lies in Sylvia’s obsession with news accounts from Germany. Though safe in Brooklyn, Sylvia is terrified by Nazi violence - or is it something closer to home? A Laurence Olivier Award Winnder for Best New Play.

An L.A. Theatre Works full-cast performance featuring Jane Brucker, David Dukes, Lawrence Pressman, Linda Purl, John Vickery and JoBeth Williams.

Featuring: Jane Brucker, David Dukes, Lawrence Pressman, Linda Purl, John Vickery, JoBeth Williams

audio The Brothers Karamazov

LA Theatre Works
Type: Audio

Dostoyevsky’s titanic masterpiece The Brothers Karamazov is here adapted into a spellbinding full-cast drama by playwright David Fishelson.

The passionate Karamazov brothers spring to life, led by their rogue of a father, who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka.

An L.A. Theatre Works full-cast performance featuring John de Lancie, Sharon Gless, Arye Gross, Harry Hamlin, Kaitlin Hopkins, Joseph Mascolo, Richard Hoyt Miller, John Randolph, John Rubinstein, Tom Virtue, Ping Wu

Featuring: Brothers: John de Lancie, Sharon Gless, Arye Gross, Harry Hamlin, Kaitlin Hopkins, Joseph Mascolo, Richard Hoyt Miller, John Randolph, John Rubinstein, Tom Virtue, Ping Wu Idiot: Edward Asner, Kate Asner, Angela Bettis, Arye Gross, John Kapelos, Robert Machray, Jon Matthews, Johanna McKay, Paul Mercier, Laurel Moglen, Michael Rivkin, Peggy Roeder, Douglas Weston

audio The Browning Version

LA Theatre Works
Type: Audio

In Terence Rattigan’s classic drama, an aging schoolmaster at an English secondary school faces the harsh judgments of his students, his fellow teachers, and his vicious and spiteful wife. But can a lone act of kindness from a sympathetic student change his heart?

This recording also includes an interview with Michael Darlow, the author of “Terence Rattigan: The Man and His Work”. An L.A. Theatre Works full-cast performance featuring: Steven Brand as Frank Hunter Martin Jarvis as Andrew Crocker-Harris Ian Ogilvy as The Headmaster Darren Richardson as Peter Gilbert Devon Sorvari as Mrs. Gilbert Kate Steele as Millie Crocker-Harris Daniel Stewart as John Taplow Directed by Peter Levin. Recorded by L.A. Theatre Works before a live audience.

Featuring: Steven Brand, Martin Jarvis, Ian Ogilvy, Darren Richardson, Devon Sorvari, Kate Steele, Daniel Stewart

A Bucket of Eels

Bloomsbury Publishing
Type: Text

A Bucket of Eels is a skilful contemporary farce. A bridegroom runs away on the eve of his marriage and unleashes a sequence of increasingly bizarre events.

First staged 1994 by the RSC as a 'production without décor', and set on Midsummer's night A Bucket of Eels is a modern play with a classic edge, exploring the making and breaking of a relationship and the absurd interventions by fate and nature that defines it.

audio Buk: The Life & Times of Charles Bukowski

LA Theatre Works
Type: Audio

An often heartbreaking, often humorous look at the life of a great American poet, Buk: The Life & Times of Charles Bukowski explores and recreates the tragic but ultimately transcendent experiences of one of the most important literary luminaries of our time.

An L.A. Theatre Works full-cast performance featuring Henry Brown, John Diehl, Arye Gross, Emily Heebner, John-David Keller, Tom Lillard,Thom McCleister, George Murdock, Laurie O'Brien, Jill Remez, Ruben Sierra and Harris Yulin.

Featuring: Henry Brown, John Diehl, Arye Gross, Emily Heebner, John-David Keller, Tom Lillard,Thom McCleister, George Murdock, Laurie O'Brien, Jill Remez, Ruben Sierra, Harris Yulin

The Bundle: or New Narrow Road to the Deep North

Bloomsbury Publishing
Type: Text

The Bundle, or New Narrow Road to the Deep North is a compelling and forceful story exploring the origins and mechanisms of moral concepts through cruel ethical dilemmas.

Like Bond’s Narrow Road to Deep North, the play begins with the discovery of an abandoned child on a riverbank. The poet Basho who is searching for enlightenment protests that he cannot take it with him, so reluctantly the ferryman adopts the child though he can barely afford to feed another person. The play first describes the boy’s upbringing within the social values of his community, before turning to revolution to dissect and rework accepted attitudes and ideologies. The Bundle weaves together lives beset with social injustices and torn by agonizing choices, with the moral force of parable and the scope and depth of epic.

The Bundle was first performed in 1978 at the Warehouse Theatre, London.

audio Buried Child

LA Theatre Works
Type: Audio

It's a curious homecoming for Vince, the son nobody seems to remember. Violence is never far from the surface as his unexpected return uncovers a deep, dark secret that triggers catastrophe in Sam Shepard's Pulitzer Prize winning Buried Child.

An L.A. Theatre Works full-cast performance featuring:

Hale Appleman as Vince

Tom Bower as Dodge

John Getz as Father Dewis

Amy Madigan as Halie

Robert Parsons as Tilden

Jeff Perry as Bradley

Madeline Zima as Shelly

Directed by Peter Levin. Recorded before a live audience at the James Bridges Theater at UCLA School of Theater, Film and Television in December, 2011.

Featuring: Hale Appleman, Tom Bower, John Getz, Amy Madigan, Robert Parsons, Jeff Perry, Madeline Zima

audio Bus Stop

LA Theatre Works
Type: Audio

Upon hitting Broadway in 1955 Bus Stop was an immediate commercial & critical success. During a winter storm a busload of weary travelers are forced to shack up at a roadside diner until morning. Inge was renowned for his in-depth character studies, Bus Stop is no exception and offers a warm play about the intersecting lives of eight ordinary people.

An L.A. Theatre Works full-cast performance featuring Megan Anderson, Terrence Currier, Rachel Miner, Anson Mount, Kyle Prue, Lynnie Raybuck, Jefferson A. Russell and Gary Sloan.

Featuring: Megan Anderson, Terrence Currier, Rachel Miner, Anson Mount, Kyle Prue, Lynnie Raybuck, Jefferson A. Russell, Gary Sloan

Butterfly Kiss

Bloomsbury Publishing
Type: Text

Butterfly Kiss unfolds the story of Lily Ross’s life – and her crime – through oblique, shifting and mesmeric scenes, her interlaced memories revealing the psychosexual tangle of her childhood and the events that led up to her trial.

From her jail cell, Lily summons up her past: a vivid collage of cross-fades and flashbacks, which reveals aspects of her experience cumulatively, not chronologically. At the age of fourteen, her father, a lepidopterist, sets her up as a girlfriend for his ex-Marine buddy. A relationship blossoms with Martha, a woman she meets in a bar. Her grandmother forces her to watch her father and mother together. She runs after her father on his way to visit her mother, who is in hospital with hypochondria. Lily’s relationships are spikily chronicled in hard-edged scenes, all leading in an impossible multiplicity of ways to the terrible truth of what she has done to her mother.

Butterfly Kiss was first performed at the Almeida Theatre, London, in 1994.

Bye Bye Columbus

Bloomsbury Publishing
Type: Text

Peter Barnes mockingly dramatises the distinctly unheroic expedition of Christopher Columbus, which changed the face of the globe, though not entirely in the way he was expecting.

Columbus’s famous venture begins with a desperate struggle for funding, as well as an attempt to convince his backers that the /world was a lot smaller than everyone else thought. Eventually the Spanish King and Queen concede to his terms, which demanded extravagant personal rewards for services of dubious integrity. When he finally claims the Americas for the Spanish Empire, he isn’t entirely sure which country they are, but that doesn’t stop him finding ways to make money out of the people he found there.

Bye Bye Columbus is a wry and mocking portrait of a man who sailed halfway across the world for a hint of gold. The play was broadcast by BBC Television in 1992.

By Many Wounds

Faber and Faber
Type: Text

And it’s you, you’re standing on a step, looking like I remember you but a little older, and not nervous but like you belong. And wearing a stripy T-shirt and the yellow beret that you wore the summer before you left … and you don’t say anything for a second. Then suddenly you say ‘Sorry.’

A very ordinary family. An ordinary family holiday. Mum, Mike, Gill and Judy. And now Judy’s gone and nothing will ever be the same again.

By Many Wounds is an examination of ordinary lives made extraordinary through disaster. In this gripping story about love and loss, Zinnie Harris paints a haunting picture of a family coming to terms with grief and a child’s forced entry into early adulthood.

By Many Wounds was first presented at the Chelsea Centre, London, in November 1998.

Byrthrite

Bloomsbury Publishing
Type: Text

Set in the seventeenth century, Sarah Daniels' play Byrthrite tells the story of a group of women who, using a variety of tactics and paths, fight back against the growing, male-dominated obsession with herbal medicine, so-called 'witchcraft', and the purging of innocent women.

Grace, the oldest of the women, is to be condemned as a witch, but time and again, the women with whom she is friends band together in solidarity to protect her from the attention of the 'Newly appointed Woman-Finder General', Pricker.

In Byrthrite Daniels again and again shows the connection between the medical profession and the subjugation of women: as timely an observation in the era of IVF and the fight for abortion rights as it was in the seventeenth-century Britain, suggesting that solidarity amongst women in this matter can and should transcend all other dichotomies of politics, religion and wealth.

Byrthrite was first produced in the Royal Court Theatre Upstairs, London, in 1986.

audio Cakewalk

LA Theatre Works
Type: Audio

Broadway legend Elaine Stritch stars as literary legend Lillian Hellman in this beguiling account of Hellman’s tumultuous relationship across several decades with a man 25 years her junior, played by Oscar-nominee Bruce Davison. Featuring music by Carly Simon.

An L.A. Theatre Works full-cast performance featuring Samantha Bennett, Bruce Davison, Claudette Nevins, Raphael Sbarge and Elaine Stritch.

Featuring: Samantha Bennett, Bruce Davison, Claudette Nevins, Raphael Sbarge, Elaine Stritch

audio California Suite

LA Theatre Works
Type: Audio

A four part comedy confection as only Neil Simon can write it! Four couples arrive, in turn, from London, Philadelphia, Chicago and New York and separately inhabit a Beverly Hills hotel suite, bringing along their problems, anxieties, and comical marital dilemmas. Beverly Hills will never be the same.

An L.A. Theatre Works full-cast performance featuring: Dennis Boutsikaris, Bruce Davison, Marsha Mason and Amy Pietz. “Visitor From New York” Marsha Mason as Hannah Warren Bruce Davison as William Warren “Visitor From Philadelphia” Dennis Boutsikaris as Marvin Michaels Amy Pietz as Millie Michaels “Visitors From London” Marsha Mason as Sidney Nichols Bruce Davison as Diana Nichols “Visitors From Chicago” Dennis Boutsikaris as Mort Hollender Amy Pietz as Beth Hollender Bruce Davison as Stu Franklyn Marsha Mason as Gert Franklyn Directed by Gwenn Victor. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

Featuring: Dennis Boutsikaris, Bruce Davison, Marsha Mason, Amy Pietz

audio Camping With Henry & Tom

LA Theatre Works
Type: Audio

President Harding wants to be with his mistress. Industrialist Henry Ford wants to be President. And inventor Thomas Edison wonders how the three of them got stuck in the woods together. Inspired by an actual camping trip taken by the three men in 1921, this Off - Broadway hit is a hilarious adventure with surprising relevance to today’s politics.

An L.A. Theatre Works full-cast performance featuring Alan Alda, Lee Arenberg, David Dukes and Charles Durning.

Featuring: Alan Alda, Lee Arenberg, David Dukes, Charles Durning

Can't Stand Up for Falling Down

Bloomsbury Publishing
Type: Text

A woman's body is found in a quarry, eight years to the day since her son died in the same place. Three women, strangers to each other, are bound by these events through one man. They have to find a way to break free from 'the fallen' and stand up for themselves.

Winner of the 1990 Independent Theatre Award, Can't Stand up for Falling Down was first performed at that year's Edinburgh Fringe Festival, before transferring to the Hampstead Theatre London.

Cardiff East

Faber and Faber
Type: Text

Set in Cardiff's east side, Peter Gill's new play offers a vivid portrait of a community the Tories thought they'd got rid of, and New Labour would prefer to forget. Cardiff East raises essential questions: What is family value? What does it feel like to be an immigrant in your own country? And most importantly, why don't the Welsh reach for the Armalite? Uncompromising and desperately real, with an undercurrent of ironic humour, Cardiff East builds towards an inexorable climax, which combines hope and tragedy in equal parts.

Cardiff East premiered at the National Theatre, London, in February 1997.

© Peter Gill, 1998

Caring

Bloomsbury Publishing
Type: Text

Caring is a sparsely staged, lean duologue between Zena and Clarke, two characters who appear to be each other’s spouse, but also each the lovers of others. Through their exchanges of accusation, counter-accusation, clarification and obfuscation, an oblique image emerges of a life lived in tandem. Missed chances, loves spurned and ambitions thwarted are hashed out and compared like a tired game of trumps in this minimalistic meditation on the roles of memory and truth in love.

In his introduction to Storey Plays: 1, where Caring first appeared in 1992, David Storey writes ‘Caring . . . was very much written as a play within a play. Not long ago, for instance, playing with a grandson (aged six), I was struck by how important it was to him that the scenario we had 'negotiated' for our game was strictly adhered to: the passion with which our roles were assigned – i.e., not only who was what but who did what, and when, to whom – was more intense than that expended on the game itself – and infinitely more intense when these 'assignations' were deviated from, forgotten or ignored.

‘Yet – I reflected, later – we do this all our lives: if I love you will you love me? – negotiating roles we would like to have ourselves as well as those by which we would like to be surrounded.

‘Integral to this “collusion” is mutual regard: “caring” to negotiate our roles - and caring, further to amend them. It was with this “playing” process in mind that Caring came to be written.'

The Cellar and the Almond Tree

Bloomsbury Publishing
Type: Text

The Cellar and the Almond Tree is the second part of a trilogy, sometimes called the Kelvin trilogy, with On the Eve of Publication and Emma’s Time. The play is similarly composed of juxtaposed cuts between past and present, fantasy and flashbacks, this time belonging to the Countess Isabel von Reger, and Volubin (who was known to Robert Kelvin in the first play as Sladek).

Beneath the web of conversation and memory are the harsh and troubling realities of conflict and upheaval in central Europe, as the cellar and the almond tree come to represent the constraints of totalitarian regimes and a disappearing aristocratic way of life. Exploring form with the same fluidity as On the Eve of Publication before it, The Cellar and the Almond Tree is a powerful exploration of socialism and memory.

The Cellar and the Almond Tree was first broadcast in 1970 by BBC Television.

The Censor

Bloomsbury Publishing
Type: Text

Shirley Fontaine, director, visionary, pornographer, meets with Frank, a censor whose job it is to decide what cuts would make her latest work acceptable for general release. On the face of it, her film is comprised solely of a litany of sex scenes: but, in a series of tête-à-têtes, she attempts to make the timid and tentative Frank see the arc of a relationship in her movie, one she believes to be an important record of sex as communication, and, more importantly, a work of art.

First performed at the Red Room, before a West End transfer to the Royal Court at the Duke of York’s, Anthony Neilson’s controversial play tells a tender tale in graphic scenes, challenging the audience to see beyond the images themselves, to a deeper truth, about interaction, honesty and affection.

audio Ceremonies in Dark Old Men

LA Theatre Works
Type: Audio

This classic play by Academy Award nominee Lonne Elder III gives us the portrait of a Harlem family that dreams of a better life, but pursues it in tragic ways. First produced by the Negro Ensemble Company in 1969, the critically acclaimed Ceremonies in Dark Old Men opened the door for a new generation of African American playwrights, including August Wilson and Lynn Nottage.

An L.A. Theatre Works full-cast performance featuring Rocky Carroll, Brandon Dirden, Jason Dirden, Julia Pace Mitchell, Charlie Robinson, Glynn Turman and Michole Briana White.

Directed by Judyann Elder. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

Featuring: Rocky Carroll, John Cothran Jr.(Sunday only), Brandon Dirden, Jason Dirden, Julia Pace Mitchell, Charlie Robinson, Glynn Turman, Michole Briana White

Certain Young Men

Faber and Faber
Type: Text

What are two grown men doing living together faking all the stupidities of a fake straight relationship?

A sharp and poignant comedy of contemporary manners, Certain Young Men explores the lives of Stewart and Michael, David and Christopher, Andrew and Tony, and Robert and Terry.

Certain Young Men premiered at the Almeida Theatre, London, in January 1999.

The Changing Room

Bloomsbury Publishing
Type: Text

On a cold morning in Northern England, a large group of men gather in the changing rooms of their local rugby club, preparing for the match. Through David Storey’s three-act play we see the players, and the men who own, run and work for the club, before the match, at half-time and after the game has finished. What emerges from this tripartite structure is a touching picture of camaraderie, community and commitment to their team.

Describing being inspired by the rituals of the footballer, Storey writes ‘he came into a room, changed from a private individual (conspicuously) into a public performer (he wore a uniform), went out, performed, returned, reverted to his previous persona – and departed: simultaneously the room itself underwent a not dissimilar transformation: empty to begin with, gradually filling, emptying again, the room, in short, both object and subject, active and passive: it changed those within it and, in turn, was changed itself.’

Described by The Times as ‘An excellent example of Storey’s ability to evoke lives from snippets and a society from those lives’, The Changing Room was first performed at the Royal Court Theatre, London, on 9 November 1971.

audio Chapter Two

LA Theatre Works
Type: Audio

Comedy and pathos mingle brilliantly in Neil Simon’s portrait of a widowed New York novelist who fears he’ll never love again and has no interest in dating. Neither does smart, attractive Jennie Malone, who has just returned from getting a Mexican divorce. A grudging five-minute meeting between them blossoms into a passionate, witty romance–until they decide to marry. A BBC co-production.

An L.A. Theatre Works full-cast performance featuring David Dukes, Sharon Gless, Gates McFadden and Grant Shaud.

Featuring: David Dukes, Sharon Gless, Gates McFadden, Grant Shaud

The Cheviot, the Stag and the Black, Black Oil

Bloomsbury Publishing
Type: Text

An exuberant and sweeping ‘Ceilidh Play with Scenes, Songs and Music of Highland History’ which tells the continuing story of the exploitation of the Scottish Highlands.

McGrath’s winding, furious, innovative play begins with the story of the Clearances: in the nineteenth century, aristocratic landowners discovered the profitability of sheep farming, and forced a mass emigration of rural Highlanders, burning their houses in order to make way for the Cheviot sheep. The play follows the thread of capitalist and repressive exploitation through the estates of the stag-hunting landed gentry, to the most recent rush for profit in the name of North Sea Oil. It is a passionate history told through ballads, Gaelic songs, poetry, comic sketches and tragic stories of resistance.

The Cheviot, the Stag and the Black, Black Oil was first performed in 1973 at the ‘What Kind of Scotland’ conference in Edinburgh, then toured throughout Scotland before being televised.

audio The Chicago Conspiracy Trial

LA Theatre Works
Type: Audio

Reality is stranger than fiction when seven 1960’s radicals refuse to behave in Judge Julius Hoffman’s courtroom. Based on actual trial transcripts and starring a cast of top Chicago actors, this play centers on events following the protests and riots during the 1968 Democratic Convention in Chicago.

An L.A. Theatre Works full-cast performance featuring Tom Amandes, George Czarnecki, Christine Dunford, Richard Fire, Kevin Gudahl, Gary Houston, Tony Mockus, George Murdock, Mike Nussbaum, Peggy Roeder, David Schwimmer, Jeff Still, Ron West, Ed Wheeler and Andrew White.

Chicken Soup with Barley

Bloomsbury Publishing
Type: Text

This landmark state-of-the-nation play is a panoramic drama portraying the age-old battle between realism and idealism.

The kettle boils in 1936 as the fascists are marching. Tea is brewed in 1946, with disillusion in the air at the end of the war. In 1956, as rumours spread of Hungarian revolution, the cup is empty. Sarah Khan, an East End Jewish mother, is a feisty political fighter and a staunch communist. Battling against the State and her shirking husband, she desperately tries to keep her family together. Chicken Soup with Barley captures the collapse of an ideology alongside the disintegration of a family.

The play, the first in a trilogy with Roots and I'm Talking about Jerusalem, was first performed at the Belgrade Theatre, Coventry in 1958.

Christie in Love

Bloomsbury Publishing
Type: Text

Christie in Love is a distressing investigation into the mind of the infamous serial killer, John Reginald Halliday Christie, who strangled eight women in his flat in Notting Hill in the 1940s and ’50s. It is part of Brenton’s group of ‘Plays for the Poor Theatre’ – plays with minimal theatrical requirements and small casts, but fierce intensity.

In 1953 the police found the bodies of six women concealed in Christie’s house, including his wife. Christie was hanged for their murders, and found subsequently to have committed two others, crimes for which another man was hanged.

The first scene of Brenton’s play opens on a police constable digging for bones in his backyard and reciting obscene limericks. He is joined by a police inspector who tells an obscene joke and warns the constable not to dwell on Christie’s perversions. The play then resurrects and interrogates Christie, turning his mind inside out and refusing the spectator any palliative measure or escape. It is a naturalistic portrait in a bleak and surreal frame.

Christie in Love was first performed in 1969 by The Portable Theatre at Oval House, London.

The Chrysalids

Faber and Faber
Type: Text

In a post-nuclear holocaust society dedicated to absolute conformity, a group of young people discover they have an unusual gift of communication. Betrayed from within, they escape into the forbidden Fringes.

David Harrower's adaptation of John Wyndham's novel The Chrysalids was specially commissioned by the Royal National Theatre for the BT National Connections Scheme for young people.

Clap Hands Here Comes Charlie

Bloomsbury Publishing
Type: Text

Clap Hands Here Comes Charlie is a riotous, Rabelaisian stew of a comedy concerning the demonic Charlie who is always trying to jump, with both feet, into his left trouser leg.

While making a television programme about buskers, Michael Aylmer finds Charlie Ketchum in a lodging house, clutching a trumpet and stinking to high heaven. Intending to do a special programme on this uniquely virulent and garrulous character, Michael invites him to stay at his house. But when Charlie tries to resume his wandering life accompanied by a few household movables, Michael’s wife Joan discovers to her cost that even after a bath and new trousers he is dangerous. The first act ends with his trial; the second act begins with his release from a psychiatric hospital.

Clap Hands Here Comes Charlie was written in 1966 and rewritten in 1991. It is the latter text which is presented here.

Cloud Nine

Bloomsbury Publishing
Type: Text

Churchill’s wickedly comic and compassionate study of sexual politics glimpses the relationships of a family and their lovers, with an interval of twenty-five years of their lives, and around a hundred years of history.

Highlighting the parallels of sexual and colonial oppression, the first act is set in a British colony in Africa in Victorian times. Clive is the traditional colonial patriarch, proud of his perfectly domesticated wife and black servant (‘played by a man’ and ‘played by a white’ respectively), and striving conscientiously to ensure his son and daughter play with gender appropriate toys. But furtive adultery and secret homosexuality threaten to subvert the moral order of the household.

The second act finds some of the same characters living in 1979, twenty-five years older and played by different actors, finding new liberations in bisexuality and polyamory, but finding new anxieties about gender and fulfilment. The intricacies of these relationships and the play’s doubling create a complex and moving account of the multiplicity of individual sexualities.

Cloud Nine was first performed in 1979 at the Dartington College of Arts, before touring and transferring to London.

Clowns: a Sequel to Joyriders

Bloomsbury Publishing
Type: Text

Clowns is the sequel to Joyriders, reuniting its characters on the eve of the first IRA ceasefire, eight years after Maureen’s death.

The Youth Training Scheme centre has become the Lagan Mill Shopping Centre, and Arthur is about to open his new café-bar. Sandra returns from London where she has been working as a stand-up comedian, telling jokes about Irish people to make the English laugh. She and the play are haunted by the ghost of Maureen, a raw, mocking reminder of the tragedy that sent Sandra away. It is a play about the moment between history and future, its characters trapped by the pain of the past but faintly hopeful about an end to the conflict which has defined their lives.

Clowns was first performed in 1996 in The Room at the Orange Tree, Richmond.

audio The Code of the Woosters

LA Theatre Works
Type: Audio

In the best known of the Bertie and Jeeves series, Bertie's aunt pressures him to steal a silver creamer, and he nearly gets lynched, arrested and engaged by mistake. As always, Jeeves is on hand with a last-minute brainstorm to set everything straight.

An L.A. Theatre Works full-cast performance featuring Rosalind Ayres, Patrice Egleston, Martin Jarvis, Kelly Nespor, Kenneth J. Northcott, Henry M. Odum, Mark Richard, Nicolas Sandys and Thomas M. Shea.

Featuring: Rosalind Ayres, Patrice Egleston, Martin Jarvis, Kelly Nespor, Kenneth J. Northcott, Henry M. Odum, Mark Richard, Nicolas Sandys, Thomas M Shea