7/11 by Kia Corthron is a short play based on the September 11th attacks.
On a stormy night in 1954, a woman doomed to marry one of five men discovers the wildcard choice might just be the person she'd been hoping for all along. An Adventure follows headstrong Jyoti and her fumbling suitor Rasik as they ride the crest of the fall of the Empire from the shores of post-Partition India to the forests of Mau Mau Kenya onto the industrial upheaval of 1970s London and the present day.
But what happens when youthful ambitions crash hard against reality? When you look back at the story of your time together, can you bear to ask yourself: was it all worth it?
Witty, charming and full of fearless historical insight, An Adventure is an epic, technicolour love story from one of the country's most promising young writers about the people who journeyed to British shores in hope and shaped the country we live in today.
Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family.
Cranky old Carolyn Whitlock has been in hospice far too long and just wants to die already. But she'll have to work harder than she ever has in her privileged life to convince her oversharing and very Christian nurse to help her end it.
Through surprising humor and persistent questioning, Dead and Breathing investigates morality, mortality, and the intense tug-of-war between the right to die with dignity and the idea of life as a gift.
Realistic Drama that shows complex psychological characters as a modern-educated son rejects his father and the Confucian value system.
I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues.
Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by.
This is about my responsibility. Doing what is right. Being where I'm needed. I've started a job and I must finish it. I owe it to the people of Iraq.
In 1926, the nation of Iraq is in its infancy, and British archaeologist Gertrude Bell is founding a museum in Baghdad. In 2006, Ghalia Hussein is attempting to reopen the museum after looting during the war.
Decades apart, these two women share the same goals: to create a fresh sense of unity and nationhood, to make the world anew through the museum and its treasures. But in such unstable times, questions remain. Who is the museum for? Whose culture are we preserving? And why does it matter when people are dying?
A story of treasured history, desperate choices and the remarkable Gertrude Bell.
Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence.
Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions.