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Raymond Williams: ‘I Can’t Be a Father to Everyone’

David Hare

David Hare is the author of over seventeen plays. He lives in London. Author affiliation details are correct at time of print publication.

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Obedience, Struggle & Revolt : Lectures on Theatre

Faber and Faber, 2005

Books

1

... and country – because of his passionate concern that people who might otherwise find themselves victims of history should be able instead to understand their own circumstances. And there was, self-evidently to him, no fuller way to understand than...

Playwrights and Plays

David Pattie

David Pattie is Professor of Drama at the University of Chester, UK. Series editors: Richard Boon, Emeritus Professor of Drama, the University of Hull, UK, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds, UK. Author affiliation details are correct at time of print publication.

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Modern British Playwriting: The 1950s

Bloomsbury Methuen Drama, 2012

Books

1

... attachment and attaining Nibbāna’. Quoted in David Chinitz , T. S. Eliot and the Cultural Divide ( Chicago, IL...

Musical Theory

David Lindley

David Lindley

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Shakespeare and Music : The Arden Critical Companions

Bloomsbury Methuen Drama, 2006

Books

1

... ‘the solemn music lecture … the theorique part for half an hour, or thereabouts; and the practique by con-cent of voice or instruments, for the rest of the hour’. Quoted in David...

The Life in the Sonnets

David Fuller

David Fuller is Emeritus Professor of English in the University of Durham, UK. Author affiliation details are correct at time of print publication.

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Bloomsbury Academic, 2011

Short Guides and Biography

2

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...A passionately argued account of the value of experience and emotion in reading Shakespeare's sonnets and of the importance of reading poetry aloud...

Discovering Transgression: Reading from the Passions

David Fuller

David Fuller is Emeritus Professor of English in the University of Durham, UK. Author affiliation details are correct at time of print publication.

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Shakespeare and I

Continuum, 2012

Books

3

... sense of how much is going on when one constructs a reading, a sense which issued much later in a book about Blake (Fuller, 1988) in which I tried to give an account of what was in the texts, what was in me, and what was in the relationship...

Proper Names and Common Bodies: The Case of Cressida

David Schalkwyk

David Schalkwyk

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Shakespeare’s World of Words

Bloomsbury Arden Shakespeare, 2015

Books

2

... spells out, even though Romeo is a name of a fictional character. For a fuller discussion of this in the context of current philosophical debates, see my ‘“What’s in a name?” Derrida, Apartheid,...

The Critical Backstory

David Bevington

David Bevington

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The Alchemist : A Critical Reader

The Arden Shakespeare, 2013

Books

2

... , 1979) ; qtd in Craig (ed.), Critical Heritage, 244–5. Thomas Fuller, conversely, compares Jonson to a Spanish great galleon and Shakespeare to an English man-of-war, the one ‘built far higher inlearning,...

Shakespeare and Dance

David Fuller

David Fuller is Emeritus Professor of English in the University of Durham, UK. Author affiliation details are correct at time of print publication.

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Shakespeare’s Creative Legacies : Artists, Writers, Performers, Readers

Bloomsbury Arden Shakespeare, 2016

Books

3

... as the characters become entwined. For David Nixon’s version for Northern Ballet (2003) Mendelssohn is supplemented by Brahms, and the performance (in rich colours) is set within a frame which applies it to real life – the activities of a ballet company...

Communities in the Theatre and in the World: Three Ballets and a Masque

David Fuller

David Fuller is Emeritus Professor of English in the University of Durham, UK. Author affiliation details are correct at time of print publication.

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New Places : Shakespeare and Civic Creativity

The Arden Shakespeare, 2018

Books

3

... Christopher Wheeldon’s The Winter’s Tale, with music by Joby Talbot (Royal Ballet); and David Bintley’s The Tempest, with music by Sally Beamish (Birmingham Royal Ballet), showing how each of these interacts creatively with the play on which...

Rhythm and Meter

David Carey

David Carey is a resident voice and text director at the Oregon Shakespeare Festival. He has been a senior voice tutor at RADA and was previously Principal Lecturer of Voice Studies at Central School of Speech and Drama. Author affiliation details are correct at time of print publication.

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and

Rebecca Clark Carey

Rebecca Clark Carey is the head of voice and text at the Oregon Shakespeare Festival. She was a senior voice tutor at RADA and has extensive theatre experience as an actor and voice coach. Together, they are the authors of The Vocal Arts Workbook + Video (2008) and The Shakespeare Workbook and Video (2015). Author affiliation details are correct at time of print publication.

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The Shakespeare Workbook and Video : A Practical Course for Actors

Bloomsbury Methuen Drama, 2015

Books

1

... (See our book, The Verbal Arts Workbook, for a fuller discussion of this.) But only writers of verse will structure that rhythm into meter, in which a particular stress pattern is repeated for a specific number of times in each verse...