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Prologue

David Ian Rabey

David Ian Rabey is Professor of Drama and Theatre Studies at Aberystwyth University, UK. His writing includes Howard Barker: Politics and Desire (1989, 2009), Howard Barker: Ecstasy and Death (2009), English Drama Since 1940 (2003), David Rudkin: Sacred Disobedience (1997); as co-editor, Theatre of Catastrophe (with Karoline Gritzner, 2006) and Howard Barker's Art of Theatre (with Sarah Goldingay, 2012). Author affiliation details are correct at time of print publication.

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Patrick Lonergan

Patrick Lonergan is a lecturer in English at National University of Ireland, Galway. He writes about theatre for The Irish Times and Irish Theatre Magazine. His first book, Theatre and Globalization, was awarded the 2008 Theatre Book Prize. He has authored two Student Editions of plays by Martin McDonagh for Methuen Drama. Author affiliation details are correct at time of print publication.

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The Theatre and Films of Jez Butterworth

Bloomsbury Methuen Drama, 2015

Books

1

... B. Bragg ; quoted in ‘How I’d Run the National Theatre’, interviews by L. Barnett , and A. Dickson...

Performing Dialectics in an Age of Uncertainty, or: Why Post-Brechtian ≠ Postdramatic

David Barnett

David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, and has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre Author affiliation details are correct at time of print publication.

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Postdramatic Theatre and the Political : International Perspectives on Contemporary Performance

Bloomsbury Methuen Drama, 2013

Books

2

...Early on in Hans-Thies Lehmann’s Postdramatic Theatre, one finds an explicit connection between Brechtian impulse and postdramatic response:Postdramatic theatre is a post- Brechtian theatre. It situates itself in a space opened up...

The Berliner Ensemble: Bertolt Brecht's theories of theatrical collaboration as practice

David Barnett

David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, and has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre Author affiliation details are correct at time of print publication.

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Encountering Ensemble

Bloomsbury Methuen Drama, 2013

Books

3

... excesses. See, for example, the reference to Henry Blodget in David E. Y. Sarna, History of Greed. From Tulip Mania to Bernie Madoff. (Hoboken, NJ: John Wiley, 2010), p. 15. ) The inductive process, on the other hand,...

Brecht and Difference

David Barnett

,

David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, and has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre Author affiliation details are correct at time of print publication.

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Mark Taylor-Batty

Mark Taylor-Batty

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Brecht in Practice : Theatre, Theory and Performance

Bloomsbury Methuen Drama, 2014

Books

1

... think because of her experiences as a person she is fractured. Trying to pull all that together was my greatest challenge. Harris, in David Smith...

Epilogue

David Barnett

,

David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, and has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre Author affiliation details are correct at time of print publication.

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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Mark Taylor-Batty

Mark Taylor-Batty

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Brecht in Practice : Theatre, Theory and Performance

Bloomsbury Methuen Drama, 2014

Books

0

...Working with Brecht Brecht gives us a lot to think about. His critique of traditional theatre practice invites us to look behind the façade of representation and identify the factors that influence or have...

Brecht, Documentation and the Art of Copying

David Barnett

,

David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, and has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre Author affiliation details are correct at time of print publication.

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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and

Mark Taylor-Batty

Mark Taylor-Batty

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Brecht in Practice : Theatre, Theory and Performance

Bloomsbury Methuen Drama, 2014

Books

0

...Imitation and innovation The first six chapters of this book provide readers with the raw material for their own acts of copying: they set out Brecht’s ideas and practices, and readers...

Buying Brass as Performative Thinking

David Barnett

,

David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, and has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre Author affiliation details are correct at time of print publication.

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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and

Mark Taylor-Batty

Mark Taylor-Batty

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Brecht in Practice : Theatre, Theory and Performance

Bloomsbury Methuen Drama, 2014

Books

0

...Theorizing with more than one voice Brecht, as shown in the previous chapter, did not merely understand theory as a set of ideas to be tested in practice. On the one hand, theory provided the germ for practical experiment...

Using Brecht’s Method

David Barnett

,

David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, and has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre Author affiliation details are correct at time of print publication.

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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and

Mark Taylor-Batty

Mark Taylor-Batty

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Brecht in Practice : Theatre, Theory and Performance

Bloomsbury Methuen Drama, 2014

Books

0

...Applicability and approach This chapter takes the theories and practices discussed in the previous seven and applies them to two very different plays: one written by Brecht, and one by a playwright...

Brecht and the Director

David Barnett

,

David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, and has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre Author affiliation details are correct at time of print publication.

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Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

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and

Mark Taylor-Batty

Mark Taylor-Batty

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Brecht in Practice : Theatre, Theory and Performance

Bloomsbury Methuen Drama, 2014

Books

0

...Inductive direction, or: The ‘invisibility’ of the Brechtian director Towards the end of the ‘Short Organon’, Brecht sketches the different creative professionals required to bring about a successful dialectical...

Revealing the Radical Theorist

David Barnett

,

David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, and has published monographs on Heiner Müller (1998) and Rainer Werner Fassbinder (2005, paperback 2009), and co-edited a volume and edited a special issue of Contemporary Theatre Review on contemporary German theatre Author affiliation details are correct at time of print publication.

Search for publications

Enoch Brater

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature; Professor of English and Theater, University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller. Author affiliation details are correct at time of print publication.

Search for publications
and

Mark Taylor-Batty

Mark Taylor-Batty

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Brecht in Practice : Theatre, Theory and Performance

Bloomsbury Methuen Drama, 2014

Books

1

... and includes plays like David Hare’s Stuff Happens on the run-up to the Iraq War or Caryl Churchill’s Far Away set in an imagined dictatorship. Brecht proposed a different way of understanding the political on stage: he...