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Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

Gary Day recently retired as principal lecturer at De Montfort University, UK, where he taught courses on the history of drama, the eighteenth century, modernism, contemporary drama and contemporary fiction. He is the author of Literary Criticism: A New History (2008) and Modernist Literature: 1890–1950 (2010). He has edited a dozen books, including The Wiley Encyclopaedia of British Eighteenth Century Literature (2015) with Jack Lynch. He has contributed to the Cambridge History of Literary Criticism and to the Oxford Guide to Literary Theory and Criticism. He has also been a regular columnist and reviewer for the Times Higher. Author affiliation details are correct at time of print publication.

Sidney Homan is Professor of English at the University of Florida, USA, a member of the Academy of Distinguished Teaching Scholars and an actor and director in traditional and non-traditional theatres. The author of eleven books on Shakespeare and the modern theatre, his most recent books are The Audience As Player: Interactive Theatre Over the Years and Hitler in the Movies: Finding Der Führer on Film. Author affiliation details are correct at time of print publication.

Brian Rhinehart is an actor, director and Lecturer of Directing and Theatre History at The Actors Studio Drama School, Pace University, USA. He is Artistic Director of a theatre collective, Dog’s Breakfast, and was awarded a 2012–13 Fulbright Grant to develop Dispersal: A Gentrification Story. He directed the award-winning Butoh Medea on Theatre Row in Manhattan, which also had productions in Warsaw and Edinburgh. He has performed in over fifty productions in New York City, Germany, and Florida. Author affiliation details are correct at time of print publication.