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The ‘Mirror Mechanism’ and Motor Behaviour

Maria Alessandra Umiltà

Maria Alessandra Umiltà

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

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...As human beings, we are constantly in relationships with other individuals. Our survival depends on our ability to understand their behaviour. What makes social relationships different from our perception of the inanimate world...

A Rope over an Abyss

John J. Schranz

John J. Schranz

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

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...These insights into the underlying levels of my work in Performance pedagogy are the fruit of a 21-year-long collaboration with my friend and colleague, neuroscientist Professor Richard Muscat, Pro-Rector of the University of Malta...

Introduction: The Shared Space of Action

Clelia Falletti

Clelia Falletti is Associate Professor at Sapienza University of Rome, Italy. Since 1981 she has participated in research by ISTA (International School of Theatre Anthropology) directed by Eugenio Barba; she is dramaturg for Teatro Potlach, and co-editor of theatre books series with two Italian publishing houses. Author affiliation details are correct at time of print publication.

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

Books

...Translation by John J. Schranz. The dialogue between the disciplines of theatre and neuroscience, though still a difficult one, has a history behind it, a history launched by theatre makers and maintained by them over...

Introduction: Towards an Embodied Theatrology?

Gabriele Sofia

Gabriele Sofia teaches theatre studies and physical theatre at Paul Valéry University, Montpellier, France. Since 2006 he has carried out an interdisciplinary research project on the neurophysiology of the actor and the spectator between the Sapienza University of Rome and the Maisons des Sciences de l’Homme Paris Nord. From 2009 to 2013 he promoted and organized five editions of the International Conference “Dialogues between Theatre and Neuroscience” at Sapienza. Author affiliation details are correct at time of print publication.

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

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...Translation by Victor Jacono. Introduction The concept of ‘embodied theatrology’ was originally proposed by Marco De Marinis in March 2011...

Introduction: Complexity, Cognition, and the Actor’s Pedagogy

Victor Jacono

Victor Jacono is a theatre maker, educator and researcher focusing primarily on the actor's pedagogy and performative creativity. He obtained a PhD in Performance Studies from Sapienza University of Rome, Italy. Author affiliation details are correct at time of print publication.

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

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...We see ourselves as process immersed in process beyond ourselves … Process is the immanence of the infinite in the finite. Matthew Goulish ,...

The Actor’s Embodied Language: Preliminary Investigations of a Pilot Experiment

Gabriele Sofia

,

Gabriele Sofia teaches theatre studies and physical theatre at Paul Valéry University, Montpellier, France. Since 2006 he has carried out an interdisciplinary research project on the neurophysiology of the actor and the spectator between the Sapienza University of Rome and the Maisons des Sciences de l’Homme Paris Nord. From 2009 to 2013 he promoted and organized five editions of the International Conference “Dialogues between Theatre and Neuroscience” at Sapienza. Author affiliation details are correct at time of print publication.

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Silvia Spadacenta

,

Silvia Spadacenta

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Clelia Falletti

Clelia Falletti is Associate Professor at Sapienza University of Rome, Italy. Since 1981 she has participated in research by ISTA (International School of Theatre Anthropology) directed by Eugenio Barba; she is dramaturg for Teatro Potlach, and co-editor of theatre books series with two Italian publishing houses. Author affiliation details are correct at time of print publication.

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Giovanni Mirabella

Giovanni Mirabella

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

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...Translation by John J. Schranz. Introduction More than thirty years of research in Theatre Anthropology have shown that there is a difference between...

Body and Corporeity in the Theatre: From Semiotics to Neuroscience. A Small Multidisciplinary Glossary

Marco De Marinis

Marco De Marinis

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

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...Translation by Victor Jacono. Introduction I would like to start from the conclusions advanced by Jean-Marie Pradier in a recently published paper: No general theory of the theatre can...

Perception and the Organization of Time in the Theatre

Luciano Mariti

Luciano Mariti

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

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...Translation by Victor Jacono. Theatre performance can do away with everything, even the actor, but not time. Only the quality of temporal articulation allows a performance to become...

Theatre and Science: Reflections on Theatrical Efficacy in Antonin Artaud

Lorraine Dumenil

Lorraine Dumenil

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

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...Translation by Victor Jacono. From the plague to mirror neurons: A hypothetical reading A part of the most recent research in theatre studies has developed an interdisciplinary attention on converging...

Body Presence and Extra-personal Space Perception

Giorgia Committeri

Giorgia Committeri

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Chiara Fini

Chiara Fini

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Theatre and Cognitive Neuroscience

Bloomsbury Methuen Drama, 2016

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...We would like to thank all the collaborators of the studies presented and Silvia Cafaro for the English language editing. Introduction Space...