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Arrivals and Departures

Andrew Tidmarsh

Andrew Tidmarsh is theatre and film director, writer and teacher. He has taught this practical approach to genre to writers, directors and actors at RADA, Goldsmiths, and Drama Centre at undergraduate and postgraduate level. He has directed in UK, Germany, Canada and Philippines, and is the director of an annual new writing festival at the Soho Theatre in London. He regularly teaches in Canada and Dubai. His book An Attitude for Acting will be published by Nick Hern books in 2011. Andrew Tidmarsh is a theatre director, film-maker and teacher. He has taught at leading drama schools and currently runs the Foundation course at RADA. He has directed work at Soho Theatre, Wimbledon Studio, Shakespeare's Globe and Jermyn Street Theatre. Author affiliation details are correct at time of print publication.

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Genre : A Guide to Writing for Stage and Screen

Bloomsbury Methuen Drama, 2014

Books

1

... learns that by killing the Witch of the East and inheriting her slippers, she will be pursued by the Wicked Witch of the West, and must go to the Wizard of Oz for help. Luke learns that his father was a Jedi, and that he must set out to rescue...

Revenge is Sweet

Andrew Tidmarsh

Andrew Tidmarsh is theatre and film director, writer and teacher. He has taught this practical approach to genre to writers, directors and actors at RADA, Goldsmiths, and Drama Centre at undergraduate and postgraduate level. He has directed in UK, Germany, Canada and Philippines, and is the director of an annual new writing festival at the Soho Theatre in London. He regularly teaches in Canada and Dubai. His book An Attitude for Acting will be published by Nick Hern books in 2011. Andrew Tidmarsh is a theatre director, film-maker and teacher. He has taught at leading drama schools and currently runs the Foundation course at RADA. He has directed work at Soho Theatre, Wimbledon Studio, Shakespeare's Globe and Jermyn Street Theatre. Author affiliation details are correct at time of print publication.

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Genre : A Guide to Writing for Stage and Screen

Bloomsbury Methuen Drama, 2014

Books

1

... as a narrative hook. If we consider the enduring appeal of novels like The Turn of the Screw or The Woman in Black (also a long-running West End stage play, and a film), or films like The Sixth Sense (1999) or The Others (2001), then it is clear...

Song

Andrew West

Andrew West is a songwriter and Professor and Head of Postgraduate Studies at Leeds College of Music, UK. Whilst at Bath Spa University, where he was made a Teaching Fellow, he designed and course directed the world’s first MA in Songwriting. His songs have featured in the Grammy award winning shows Lost, Heroes and True Blood and been recorded by artists as diverse as Joe Brown and Stackridge. A seasoned producer and performer, he has also made critically acclaimed records as part of the trio ‘CCW’ with Hugh Cornwell and Roger Cook, and as a solo artist while based in the United States. Author affiliation details are correct at time of print publication.

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The Art of Songwriting

Bloomsbury Methuen Drama, 2016

Books

1

... to the imagination; all cannot possibly be revealed. As CEO of Chrysalis, Jeremy Lascelles signed deals with Fleet Foxes, Bon Iver and Laura Marling; to say he has anear for a good songwriter would be an understatement. In a West London café,...

A Brief History of Online Theatre Criticism in England

Theatre Criticism : Changing Landscapes

Bloomsbury Methuen Drama, 2016

Books

3

... Andrew and Phil – naming themselves The West End Whingers, started a blog to express their disgust at the Old Vic’s production of Resurrection Blues. The ‘review’ itself ran to all of 182 words, and the criticism doesn’t get more detailed...

British auteurship and the Greeks: Katie Mitchell

Contemporary Adaptations of Greek Tragedy : Auteurship and Directorial Visions

Bloomsbury Methuen Drama, 2017

Books

2

... Icke’s Oresteia (Almeida and West End, 2015), the spectacle of Greek tragedies played in modern dress within recognizable interiors and interspersed with contemporary dance have already crossed from experiment to near-default....

Theatre in the 2000s

Modern British Playwriting: 2000 – 2009 : Voices, Documents, New Interpretations

Bloomsbury Methuen Drama, 2013

Books

2

... everything from small studios at the BAC or Arcola, and workshops at The Actors Centre, ‘new writing theatres’ like the Bush and the Hampstead, to the National Theatre’s largest space on the South Bank and even the West End; everything from...

Archetype or Stereotype? Plautus, Comedy of Contradictions and The Sketch Show

Andrew Tidmarsh

Andrew Tidmarsh is theatre and film director, writer and teacher. He has taught this practical approach to genre to writers, directors and actors at RADA, Goldsmiths, and Drama Centre at undergraduate and postgraduate level. He has directed in UK, Germany, Canada and Philippines, and is the director of an annual new writing festival at the Soho Theatre in London. He regularly teaches in Canada and Dubai. His book An Attitude for Acting will be published by Nick Hern books in 2011. Andrew Tidmarsh is a theatre director, film-maker and teacher. He has taught at leading drama schools and currently runs the Foundation course at RADA. He has directed work at Soho Theatre, Wimbledon Studio, Shakespeare's Globe and Jermyn Street Theatre. Author affiliation details are correct at time of print publication.

Search for publications

Genre : A Guide to Writing for Stage and Screen

Bloomsbury Methuen Drama, 2014

Books

1

... by Sacha Baron Cohen, Talkback Productions, 2000–3. Convinced that he is a black rapper and gang member (the West Staines Massif), Ali G is actually a suburban, middle-class white youth who lives with his grandmother. He is unable...

Songwriters

Andrew West

Andrew West is a songwriter and Professor and Head of Postgraduate Studies at Leeds College of Music, UK. Whilst at Bath Spa University, where he was made a Teaching Fellow, he designed and course directed the world’s first MA in Songwriting. His songs have featured in the Grammy award winning shows Lost, Heroes and True Blood and been recorded by artists as diverse as Joe Brown and Stackridge. A seasoned producer and performer, he has also made critically acclaimed records as part of the trio ‘CCW’ with Hugh Cornwell and Roger Cook, and as a solo artist while based in the United States. Author affiliation details are correct at time of print publication.

Search for publications

The Art of Songwriting

Bloomsbury Methuen Drama, 2016

Books

1

... fortunate we are to be above ground. When I visited him at his home in West Nashville, I noticed that Guy Clark, a songwriter as revered in roots culture as anyone in modern times, kept a shelf stacked full of cassettes in his basement. Each one...

Songwriting

Andrew West

Andrew West is a songwriter and Professor and Head of Postgraduate Studies at Leeds College of Music, UK. Whilst at Bath Spa University, where he was made a Teaching Fellow, he designed and course directed the world’s first MA in Songwriting. His songs have featured in the Grammy award winning shows Lost, Heroes and True Blood and been recorded by artists as diverse as Joe Brown and Stackridge. A seasoned producer and performer, he has also made critically acclaimed records as part of the trio ‘CCW’ with Hugh Cornwell and Roger Cook, and as a solo artist while based in the United States. Author affiliation details are correct at time of print publication.

Search for publications

The Art of Songwriting

Bloomsbury Methuen Drama, 2016

Books

1

... technical musical procedures, they invariably have ‘tacit’ knowledge of them. Offering an example of tacit learning in action, in Schippers’ discussion of how drummers learn to play djembe within the West African percussion tradition...

Speaking in Tongues

Written by

Andrew Bovell

~playauthor~Written by~ Andrew Bovell

Nick Hern Books, 2009

NHB Modern Plays

Playtext

Scenes: 3, Roles: Total (12), Female (6), Male (6), Unassigned (0)

2

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Summary
...Andrew Bovell's Speaking in Tongues is a play about marital infidelity, with multiple narratives and a mystery at its core. It was first performed on 6 August 1996 in a production by Griffin Theatre Company at The Stables, Sydney,...