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Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Gabriele Sofia teaches theatre studies and physical theatre at Paul Valéry University, Montpellier, France. Since 2006 he has carried out an interdisciplinary research project on the neurophysiology of the actor and the spectator between the Sapienza University of Rome and the Maisons des Sciences de l’Homme Paris Nord. From 2009 to 2013 he promoted and organized five editions of the International Conference “Dialogues between Theatre and Neuroscience” at Sapienza. Author affiliation details are correct at time of print publication.

John Matthews is Programme Leader of BA (Hons) Acting at Theatre Royal Plymouth. He has written two books published by Bloomsbury Methuen Drama: Training for Performance (2011) and Anatomy of Performance Training (2014). Author affiliation details are correct at time of print publication.

Patsy Rodenburg is Professor of Text and Poetry at the Guildhall School of Music and Drama, London and was formerly at the Royal National Theatre where she created the voice department. Patsy has worked with many prestigious theatre companies including the Royal Shakespeare Company. Her artistic home in New York is at the Michael Howard Studios. Patsy has worked regularly with some of the best-known actors and biggest names in theatre, film and television including: Daniel Craig, Orlando Bloom, Paapa Essiedu, Nicole Kidman, Rachel Weisz, Emily Watson, Jude Law, Tom Wilkinson, Hugh Jackman, Daniel Day-Lewis, Cate Blanchett, Dame Judi Dench and Sir Ian McKellen. Author affiliation details are correct at time of print publication.

Vanessa Ewan is Senior Lecturer and Course Leader in Movement at the Royal Central School of Speech and Drama, having joined the school in 1989. She is a graduate of the Laban Centre for Movement and Dance and has worked previously as Head of Movement at E15, as well as having taught at Webber Douglas, Guildhall and RADA. Author affiliation details are correct at time of print publication.

Debbie Green trained at the Rambert School of Ballet, London, before a career both as a dancer (at the Stadttheater, Kiel, Germany) and a choreographer for theatre, film and television. Other formal study of dance and movement practices have included Odissi and T'ai-Chi Chuan. She completed her postgraduate studies at Laban prior to and whilst working as a movement teacher at The Actors' Institute; Arts Educational; RADA; Drama Studio; Samuel Beckett Theatre, Dublin; and LAMDA, joining Central School of Speech and Drama's Acting course as a teacher in 1989. There she was responsible for co-designing the unique movement curriculum and co-creating the first ever MA in movement for actors. Author affiliation details are correct at time of print publication.

Paul Elsam trained as an actor at the former Manchester Polytechnic School of Theatre, UK, and has worked widely as a performer in theatre, radio, film and television, including in BAFTA and Olivier-nominated productions on stage and screen. He has directed professional actors and students in both the UK and the USA, often working ‘in the round’. He has held teaching posts at the universities of Hull and Teesside, and at the Academy of Live and Recorded Arts. He maintains a strong research interest in post-war theatre historiography, and in the praxis of actor training. Author affiliation details are correct at time of print publication.

John Matthews is Programme Leader of BA (Hons) Acting at Theatre Royal Plymouth. He has written two books published by Bloomsbury Methuen Drama: Training for Performance (2011) and Anatomy of Performance Training (2014). Author affiliation details are correct at time of print publication.

Patsy Rodenburg is Professor of Text and Poetry at the Guildhall School of Music and Drama, London and was formerly at the Royal National Theatre where she created the voice department. Patsy has worked with many prestigious theatre companies including the Royal Shakespeare Company. Her artistic home in New York is at the Michael Howard Studios. Patsy has worked regularly with some of the best-known actors and biggest names in theatre, film and television including: Daniel Craig, Orlando Bloom, Paapa Essiedu, Nicole Kidman, Rachel Weisz, Emily Watson, Jude Law, Tom Wilkinson, Hugh Jackman, Daniel Day-Lewis, Cate Blanchett, Dame Judi Dench and Sir Ian McKellen. Author affiliation details are correct at time of print publication.

Patsy Rodenburg is Professor of Text and Poetry at the Guildhall School of Music and Drama, London and was formerly at the Royal National Theatre where she created the voice department. Patsy has worked with many prestigious theatre companies including the Royal Shakespeare Company. Her artistic home in New York is at the Michael Howard Studios. Patsy has worked regularly with some of the best-known actors and biggest names in theatre, film and television including: Daniel Craig, Orlando Bloom, Paapa Essiedu, Nicole Kidman, Rachel Weisz, Emily Watson, Jude Law, Tom Wilkinson, Hugh Jackman, Daniel Day-Lewis, Cate Blanchett, Dame Judi Dench and Sir Ian McKellen. Author affiliation details are correct at time of print publication.