In a white trash, northern Ontario gothic, we follow Beatrice ‘Beaver’ Jersey as she learns to grow beyond her circumscribed world, struggling with her whacky extended family, her alcoholic father, and her chain-smoking ghost of a mother.
Enda Walsh's play bedbound is a two-hander about a father/daughter relationship gone horribly wrong. It was first performed at The New Theatre, Dublin, as part of the Dublin Theatre Festival 2000. It received its UK premiere at the Traverse Theatre, Edinburgh, during the 2001 Edinburgh Festival Fringe, and was revived at the Royal Court Theatre Upstairs, London, on 10 January 2002.
The play's action takes place on a small child's bed inside a plasterboard box that occupies the centre of the stage. At the beginning of the play, one wall of the box – the one that faces the audience – crashes to the ground, revealing Daughter and Dad, both of them on the bed. He talks frantically about his extraordinary past in furniture sales; she talks no less compulsively about anything at all, to fill the terrifying silence in her head. Trapped in their own claustrophobic story, these two tortured creatures attempt to reach some kind of redemption.
The premiere production at The New Theatre in Dublin was directed by Enda Walsh and designed by Fiona Cunningham. It was performed by Peter Gowan and Norma Sheahan. The production was revived at the Traverse Theatre and then at the Royal Court Theatre Upstairs with Liam Carney playing Dad.
In his foreword to the collection Enda Walsh Plays: One (Nick Hern Books, 2011), Walsh writes: 'bedbound was my first effort away from Pat [Kiernan, director, Corcadorca Theatre Company] and towards myself. It’s essentially about the relationship between me and my dad. It’s wild but also very honest. A love letter to my sick dad at the time.'
Sean, just out of prison, invites Lisa back to his flat for a drink. Lisa says she's Norwegian. Is Sean Norwegian too? In this dark, funny encounter two outsiders reach out to each other across the deep fjords of the heart.
'In Norway we're used to darkness in people's heads. We even prefer it. Because if there is no darkness then what in heaven's name are you thinking about? We Norwegians think people who are happy are perhaps just a little above themselves, don't you?'
Being Norwegian was first broadcast on BBC Radio Scotland in December 2003 and first performed for the stage, in a coproduction between A Play, a Pie and a Pint and Paines Plough, at Òran Mór, Glasgow, in October 2007.
In Beloved Clara, the intense relationships between Robert Schumann, his wife Clara, and Johannes Brahms are brought to vivid life through music and excerpts from their passionate writings. With the arrival of the young, dynamic Brahms into their household, the Schumanns’ fragile marriage is threatened by the deepening bond between Clara and their gifted guest. “This is a beautifully put - together portrait…Kleenex required” says The Guardian (London).
An L.A. Theatre Works full-cast performance featuring Rosalind Ayres, Martin Jarvis and Lucy Parham.
Featuring: Rosalind Ayres, Martin Jarvis, Lucy Parham
Amanda Whittington’s debut play Be My Baby sheds light on teenage pregnancy in 60s Britain. Featuring an all-female cast the play has proved incredibly popular with schools and drama groups across the UK and is currently a set text for GCSE English Literature.
Set in a Mother and Baby Home in 1964 in the north of England, the play follows the fortunes of Mary Adams, aged 19, unmarried and seven months pregnant. Forcibly sent there by a mother intent on keeping up appearances, Mary – along with the other girls in the home – has to cope both with the shame and the dawning realisation that she will have to give the baby up for adoption whether she likes it or not. Despite this, and an overbearing matron, the girls’ youthful effervescence keeps breaking through, as they sing along to the girl-group songs of the period.
Commissioned by Soho Theatre, the play started out as a story of a grown woman meeting her adopted child. However, as Whittington began to research she came across the story of Britain’s Mother and Baby Homes. These homes were a well-kept secret that nonetheless blighted the lives of thousands of young women to whom Whittington has given a voice in this play.
Be My Baby was first performed by the Soho Theatre Company at the Pleasance Theatre in London in 1998. Since its initial production, the play has been revived many times including at the Soho Theatre, Salisbury Playhouse, Oldham Coliseum, New Vic Theatre and Hull Truck Theatre.
Father David Anderton is assigned to a crippled Scottish town on the Ayrshire coast, where sectarianism is rife. He is a cultivated, if naive and unworldly, man, ill-suited to his new parish. Drifting from his peers, he is drawn to Mark and Lisa, a feral teenage couple who attend the nearby school. Their untamed nights of booze and drugs are as exotic and entrancing to him as his solitary and cloistered life is to them.
But, as events take a perilous direction, this combustible liaison will leave Father David's world in pieces.
Adapted for the stage by Ian McDiarmid from the Booker Prize nominated novel by Andrew O'Hagan, Be Near Me premiered in a co-production between the National Theatre of Scotland and the Donmar Warehouse in January 2009.
Take an unforgettable ride with the classic sketches that helped make this America’s foremost comedy troupe. The Second City lampoons every aspect of modern American life, with brilliant improvised sketches on subjects ranging from salad bars to affairs of state.
An L.A. Theatre Works full-cast performance featuring Fran Adams, Scott Adsit, Scott Allman, Edward Asner, Samantha Bennett, Jennifer Bill, Steve Carell, Stephen Colbert, Paul Dinello, Arye Gross, Jenn Jolovitz, Tim Kazurinsky, Laura Krafft, Joe Liss, Marsha Mason, Michael McCarthy, Jerry Minor, Tim O'Malley, David Razowsky, Mitch Rouse, John Rubano, Ruth Rudnick, Amy Sedaris, Brian Stack, Jill Talley, Miriam Tolan, Nia Vardalos, Ron West, Peter Zahradnick and Jim Zulevic.
Featuring: Fran Adams, Scott Adsit, Scott Allman, Edward Asner, Samantha Bennett, Jennifer Bill, Steve Carell, Stephen Colbert, Paul Dinello, Arye Gross, Jenn Jolovitz, Tim Kazurinsky, Laura Krafft, Joe Liss, Marhsa Mason, Michael McCarthy, Jerry Minor, Tim O'Malley, David Razowsky, Mitch Rouse, John Rubano, Ruth Rudnick, Amy Sedaris, Brian Stack, Jill Talley, Miriam Tolan, Nia Vardalos, Ron West, Peter Zahradnick, Jim Zulevic
Based on the journalist-playwright’s original article in The New Yorker, Betrayed is the story of three young Iraqi translators who risk everything for America's promise of freedom while their country collapses around them. “The clarity of the writing, the urgency of the story being told … give the play a sharp dramatic impact and a plain-spoken beauty. Painful human experience is presented here as just that. Nothing else is necessary to awaken sympathy, despair and awareness of a grave moral failure on the part of the American government.” - New York Post
An L.A. Theatre Works full-cast performance featuring Jeremy Beck, Kevin Daniels, Andrea Gabriel, John Getz, Sevan Greene, Sam Kanater and Waleed F. Zuaiter.
Recorded before a live audience at the Skirball Cultural Center, Los Angeles.
Featuring: Jeremy Beck, Kevin Daniels, Andrea Gabriel, John Getz, Sevan Greene, Sam Kanater, Waleed F. Zuaiter
B for Baby is a tender, sharp-witted play set in a residential care home for people with severe learning disabilities. Treating this taboo subject with humanity and humour, the play's acute and compassionate portraits result in a moving, if at times uncomfortable, drama.
Mrs C wants a baby not a Christmas tree. B wants a real hairdresser's scissors and a wife. D wants a snow globe and to have curly hair. All of them want their own place in the world. And if they can't find it, they'll create one of their own. The play follows B and D, and Mrs C their carer, on their journey towards happiness.
Poignantly exploring forbidden topics, B for Baby invites the reader or audience to rediscover the power and joy of make-believe. The play was first presented by the Abbey Theatre, Dublin, in 2010.
Standing at the edge of the ship, contemplating a watery demise, Billy is called back to reality when his dead mentor, Sid Diamond, appears as a handpuppet. Sid forces Billy to re-enact his life as a puppet show, rekindling the passion Billy once had for puppets, people and the dream of a life that sparkles. For anyone stuck in the middle – mid-career, mid-love, mid-life – this requiem for a golden boy shines a little light on the wonder of youth meeting the wisdom of age.