The Age of Consent places in counterpoint two acutely uncomfortable monologues about childhood, responsibility and the shattering of innocence.
One voice is a teenager awaiting his release from a correctional facility after serving his time for the murder of a child. The other is the young mother of a child performer, ruthlessly scheming for fame and fortune, and making sure her daughter will do absolutely whatever it takes.
The characters are united by a sense of denial, as well as the humanity that can exist behind even the most monstrous abuse. Morris’s controversial and powerful play premiered at the Edinburgh Festival in 2001, and was condemned and acclaimed for tackling the subject of child killers.