A powerful play about international relations and the shifting balance of power between East and West, Lucy Kirkwood's Chimerica is both a political examination and an engaging personal drama.
Tiananmen Square, 1989. As tanks roll through Beijing and soldiers hammer on his hotel door, Joe – a young American photojournalist – captures a piece of history with his camera: the moment when a lone man steps in front of the tanks.
New York, 2012. Joe is covering the presidential election, marred by debate over cheap labour and the outsourcing of American jobs to Chinese factories. When a cryptic message left in a Beijing newspaper suggests that the so-called 'tank man' is still alive and living in America, Joe is driven to discover the truth about the unknown hero he photographed.
The play asks urgent questions about the emergence of China as a global superpower, the impact and legacy of authoritarian government, and the decline of Western supremacy. It also explores the personal price paid by those who pursue the truth, whatever the cost.
Chimerica premiered at the Almeida Theatre in London in 2013 in a co-production with theatre company Headlong. It was an immediate critical success, receiving a clutch of five-star reviews. It subsequently transferred to the Harold Pinter Theatre in the West End in June 2013 and was awarded the Evening Standard, Critics' Circle and Olivier Awards for Best New Play as well as the Susan Smith Blackburn Prize.