Plays

As You Like It (Arden Shakespeare Third Series)

Bloomsbury Publishing
Type: Text

In the Forest of Arden where the cross-dressed Rosalind meets her lover Orlando, folklore meets with classical ideals, the pastoral with ribaldry, and love poetry with parody and satire. As You Like It plays witty games with gender roles, and the nature of liberty and love.

As You Like It was probably written at the end of 1598, and perhaps first performed in 1599. This text is based on the Folio, where it was first printed.

Duke Fredrick has usurped his older brother Duke Senior and banished him to the Forest of Arden, where he lives with the faithful members of the court. He has left behind is his daughter Rosalind who is close friends with her cousin Celia, the daughter of Duke Fredrick. The changeable Fredrick banishes Rosalind from his court; Celia accompanies her into the forest, along with the clown Touchstone. Meanwhile Orlando, who Rosalind favours after seeing him wrestle, flees to the forest with his servant Adam after hearing his oldest brother Oliver plots to kill him.

Rosalind disguises herself as a young man called Ganymede, and Celia as ‘Aliena’, while Orlando joins the banished Duke and his men, who include the melancholy Jacques. In the guise of Ganymede, Rosalind meets Orlando and gives him lessons in wooing and women, pretending to be ‘Rosalind’ and receiving his mock-courtship. Secondary romance plots involve the rustic Silvius and Phoebe, and Audrey and Touchstone. When Oliver arrives in the forest too, Rosalind arranges several marriages and the dukedom is restored.

In her introduction to the current edition, Juliet Dusinberre writes ‘As You Like It, with its cross-dressed heroine, gender games and explorations of sexual ambivalence, its Forest of Arden and melancholy Jaques, speaks directly to the twenty-first century. Although the play is rooted in Elizabethan culture – literary, social, political, aesthetic – Shakespeare has placed a prophetic finger on the pulse of the future. Amongst the myths of classical pastoral and of the biblical Garden of Eden are a group of displaced persons fleeing family disruption and political corruption. In raising profound questions about the nature of liverty, renewal and regeneration posed by the new environment of the Forest, Shakespeare has created a comedy of extraordinary flexibility and depth.’

video As You Like It (Globe on Screen)

Globe on Screen
Type: Video

As You Like It runs the glorious gamut of pastoral romance: cross-dressing and love-notes; poetry and brilliant conversation; gentle satire, slapstick and passion Stage director: Thea Sharrock. Screen director: Kriss Russman. Featuring: Michael Benz, Philip Bird, Naomi Frederick, Peter Gale, Brendan Hughes, Sean Kearns, Jack Laskey, Trevor Martin, Tim McMullan, Jamie Parker, Laura Rogers, Dominic Rowan, Ewart James Walters, Sophie Duval, Jade Williams, Gregory Gudgeon.

The Comedy Of Errors (Arden Shakespeare Second Series)

Bloomsbury Publishing
Type: Text

Shakespeare’s dextrous comedy of two twin masters and two twin servants continually mistaken for one another is both farce and more than farce. The Comedy of Errors examines the interplay between personal and commercial relationships, and the breakdown of social order that follows the disruption of identity, until the nightmarish cross-purpose dialogue ends in harmonious reunion.

The play is set in Ephesus, a city where anyone who is from Syracuse will be executed, unless he can pay the ransom. Egeon, who is from Syracuse, is arrested accordingly; he explains to the Duke that he is looking for his lost family. He and his wife Emilia had identical twin sons (both called Antipholus), but in a shipwreck Egeon and one son were separated from Emilia and the other. The son who grew up with Egeon, Antipholus of Ephesus, set off to search for his lost brother, accompanied by his servant Dromio of Ephesus, who had similarly lost a twin.

Antipholus and Dromio of Ephesus have also arrived in Ephesus where, unknown to them, their twin brothers both live. Antipholus sends Dromio away on an errand, and the two sets of twins become muddled up. A jeweller presents the newly-arrived Antipholus with an expensive chain, and then pursues the native Antipholus for payment. The wife of Antipholus of Ephesus mistakes the stranger for her husband, and locks her real husband out of the house. Antipholus of Syracuse falls in love with the woman everyone else thinks is his sister-in-law. Both masters beat each other’s servants regularly for their apparent disobedience – the two Dromios try to obey the apparently contradictory instructions of a single master.

Eventually, Antipholus and Dromio of Syracuse take refuge in a priory. The Duke arrives with Egeon, who is going to be executed. Antipholus and Dromio of Ephesus, having just escaped arrest, also arrive. The Abbess of the priory brings out Antipholus and Dromio of Syracuse, and the confusion is cleared when the Abbess herself is revealed to be Emilia, Egeon’s long lost wife and the mother of the Antipholuses. Egeon is reprieved, and Antipholus of Syracuse proposes to his brother’s sister-in-law.

video The Comedy of Errors (Globe on Screen)

Globe on Screen
Type: Video

Basing his plot on a farce by Plautus, Shakespeare caps the mayhem of his Roman original to build up a hectic tale of violent cross-purposes, furious slapstick and social nightmare. Stage Director: Blanche McIntyre; Screen Director: Ross MacGibbon. Featuring: Hattie Ladbury, Simon Harrison, Stefan Adegbola, Andy Apollo, Paul Brendan, Linda Broughton, Gershwyn Eustache Jr, Becci Gemmell, Peter Hamilton Dyer, Emma Jerrold, James Laurenson, Matthew Needham, Anne Odeke, Brodie Ross, Jamie Wilkes.

Doctor Faustus

Bloomsbury Publishing
Type: Text

Doctor Faustus is a play about desire: for the best in life, for knowledge, power, material comfort, and influence. Faustus sells his soul to the devil hoping to learn the secrets of the universe, but is fobbed off with explanations which he knows to be inadequate. He is obsessed with fame, but his achievement as a devil-assisted celebrity magician is less substantial than it was previously as a scholar.

Marlowe's most famous play is a tragedy, but also extremely funny. It involves hideous representations of the Seven Deadly Sins, and of Helen of Troy, the world's most beautiful woman. With its fireworks and special effects, it was one of the most spectacular and popular on the Elizabethan stage. Yet, ever since Marlowe's death, it has been regularly rewritten. Its mix of fantastical story, slapstick, and raw human emotion still arouses conflicting interpretations, and presents us with endlessly fascinating problems.

This student edition is based on the earlier so-called A-text of the play, with the B-text scenes included in an appendix. It contains a lengthy Introduction with interpretation of the play in its historical and cultural context, stage history, discussion of the complex textual problems, and background on the author, date and sources.

video Doctor Faustus (Globe on Screen)

Globe on Screen
Type: Video

Doctor Faustus is Christopher Marlowe's most renowned and controversial work. Famous for being the first dramatised version of the Faustus tale, the play depicts the sinister aftermath of Faustus's decision to sell his soul to the Devil's henchman in exchange for power and knowledge. Stage director: Matthew Dunster. Screen director: Ian Russell. Featuring: Charlotte Broom, Michael Camp, Nigel Cooke, Jonathan Cullen, Arthur Darvill, Robert Goodale, Paul Hilton, Sarita Piotrowski, Will Mannering, Pearce Quigley, Iris Roberts, Felix Scott, Chinna Wodu, Richard Clews, Jade Williams, Beatriz Romily.

video Doctor Faustus (Stage on Screen)

Stage on Screen
Type: Video

The Tragical History of Doctor Faustus, to give it its full title, by Christopher Marlowe, was first published in 1604, at least twelve years after its first performance, although the basic story of the play is much older.
Having decided he has accumulated all he can of conventional knowledge, Doctor Faustus turns to magic in a quest for greater truths. Before long, he ends up selling his soul to the devil – the famous 'Faustian pact' that has entered everyday language. Dr Faustus gradually realises his terrible mistake. He apparently repents, but finally dies, the devil coming to collect his soul, and his friends the dismembered body.
A classic that never dates
Is Doctor Faustus a tragic hero or a terrible example? It's not clear. But with its themes of sin, Satanism, death, damnation and magic, the play naturally holds great appeal for modern students, as well as theatre lovers across the ages.
In addition, Dr Faustus is a good choice for anyone studying Shakespeare, as he and Marlowe were contemporaries. Both wrote for the same acting company and influenced each other's work. Certainly, as an Elizabethan tragedian, Marlowe is considered second only to the great man himself. Notoriously, there are even those who believe that Marlowe actually wrote Shakespeare's plays, his early death notwithstanding.
Director: Elizabeth Freestone.
Featuring: Joanna Christie, Amy Rockson, Harvey Virdi, Jonathan Battersby, Guy Burgess, Samuel Collings, Mark Extance, Gareth Kennerley, Adam Redmore, Tim Treloar, Conrad Westmaas

Edward II

Bloomsbury Publishing
Type: Text

When the courageous and impressive Edward I dies, his son, Edward II, is a disappointing successor. He prefers domestic tasks to waging wars, and he prefers men to women. However, Edward I’s death is good news for Piers Gaveston, who has been exiled and is now allowed to return to England under the young Edward’s wishes. The new King bestows extravagant favours upon Gaveston, including the protection of his life, while his sovereign duties are neglected. Not everyone is as smitten with Gaveston as the King, however, and the King’s nobles pressure Edward to banish the favourite to Ireland. It is Edward’s Queen, Isabella of France, who will only be satisfied with Gaveston’s murder.

Based on Holinshed’s Chronicles (1587) and set in early fourteenth century England, Marlowe’s play is a portrait of a flawed monarch, driven by his animal passions and by an overwhelming romantic obsession.

Copyright © 1997 A & C Black Publishers Limited

audio Hamlet

LA Theatre Works
Type: Audio

Shakespeare’s timeless story of revenge, corruption, and murder is considered one of the greatest works in the English language. Prince Hamlet sets out to avenge his beloved father's death at the hand of his uncle Claudius — but Hamlet's spiral into grief and madness will have permanent and immutable consequences for the Kingdom of Denmark. Composed over 400 years ago, Hamlet remains one of the theater’s most studied and performed works, and is presented here in a stunning, sound-rich full-cast recording.

An L.A. Theatre Works full-cast performance featuring: Josh Stamberg as Hamlet Stephen Collins as King Claudius JoBeth Williams as Queen Gertrude Stacy Keach as Ghost Alan Mandell as Polonius Emily Swallow as Ophelia JD Cullum as Laertes Matthew Wolf as Horatio Mark Capri as Ambassador and others Josh Clark as Gravedigger, Voltemand and others Henri Lubatti as Rosencrantz and others Jon Matthews as Guildenstern and others Darren Richardson as Player Queen and others André Sogliuzzo as Reynaldo and others Directed by Martin Jarvis. Recorded at the Invisible Studios, West Hollywood in August, 2011.

Featuring: Mark Capri, Josh Clark, Stephen Collins, JD Cullum, Stacy Keach, Henri Lubatti, Alan Mandell, Jon Matthews, Darren Richardson, Andre Sogliuzzo, Josh Stamberg, Emily Swallow, JoBeth Williams, Matthew Wolf

video Hamlet (Maxine Peake as Hamlet)

Genesius Pictures
Type: Video

Shakespeare’s most iconic work, HAMLET explodes with big ideas and is the ultimate story of loyalty, love, betrayal, murder and madness. Hamlet’s father is dead and Denmark has crowned Hamlet’s uncle the new king. Consumed by grief, Hamlet struggles to exact revenge, with devastating consequences.
From its sell-out run at Manchester’s Royal Exchange Theatre comes the film version of their unique and critically acclaimed production, with BAFTA-nominee Maxine Peake in the title role. This ground breaking stage production, directed by Sarah Frankcom, was the Royal Exchange Theatre’s fastest-selling show in a decade.
HAMLET is brought to cinemas and DVD by film director Margaret Williams whose Written on Skin (Royal Opera House/BBC) won many awards including the Dispason d’Or. The film version of HAMLET is produced by Anne Beresford and Debbie Gray, the team behind the highly praised Peter Grimes on Aldeburgh beach, which Margaret also directed. Hamlet MAXINE PEAKE; Claudius/Ghost JOHN SHRAPNEL; Gertrude BARBARA MARTEN; Polonia GILLIAN BEVAN; Horatio THOMAS ARNOLD; Laertes ASHLEY ZHANGAZHA; Ophelia KATIE WEST; Marcella/Player King CLAIRE BENEDICT; Guildenstern PETER SINGH; Rosencrantz/2nd Gravedigger JODIE McNEE; Margaret/1st Grave Digger MICHELLE BUTTERLY; Bernardo/Osric/Player Queen BEN STOTT; Francisco/Reynaldo/Priest TACHIA NEWALL; Lucianus DEAN GREGORY; young company LEYLA PERCIVAL, NATASHA HYLTON, MATT BOYLAN; children LILY-BLOSSOM TAIT, LARA PROCTER, JAMES PRENTICE, JACOB RICHARDS. Directed for the stage by Sarah Frankcom and for the screen by Margaret Williams.